For readers on the Pigeon end of the spectrum, this will hit the spot, but those who love Willems’ quieter protagonists may...
With Willems’ name on it, this abecedary is bound to be zany—and it is.
This over-the-top “smorgasbord” is a tale of a raucous creature that chomps and chews everything in sight, from A to Z. But wait—this is not one of Willems’ simple Elephant and Piggie early readers, nor is it the story of a little girl and her beloved stuffed bunny. This creature is not avian, but it’s a kissing cousin to Willems’ pigeon. The blocky purple character with googly orange eyes wears a blue-and-red–striped shirt and pants (or perhaps pajamas), and it has a black, bulbous nose and protruding white teeth. The beginning letters of its monumental meal stand for common edible items: “Apple! Berries! Cereal!” Then it goes bananas, eating “Furniture!…Kilt! Lunch Box! [and] Napkins!” that induce a run to the “POTTY!” No one will be surprised to learn that the creature is “Queasy” and needs to “Vomit.” An adult figure arrives on the scene with hugs and kisses (“XO-XO-XO!”), and the creature emits a huge “YAWN…” and is finally “Zonked.” Children will follow right along with the creature’s mishaps, and they will enjoy predicting (incorrectly) what it might eat and (correctly) what happens as its face starts to turn green. They’ll also appreciate the kindliness of the adult figure who shows no anger but instead tends lovingly to its charge.
For readers on the Pigeon end of the spectrum, this will hit the spot, but those who love Willems’ quieter protagonists may find it an abrupt change of pace. (Picture book. 4-6)Pub Date: March 6, 2018
ISBN: 978-1-368-01352-9
Page Count: 32
Publisher: Hyperion
Review Posted Online: Feb. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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