Nineteen books and five Geisel medals or honors along, Elephant and Piggie are still delivering funny, emotionally...
Gerald the elephant and Piggie return with another playground psychodrama, this one with a twist.
Piggie just loved the big ball she just found—“it was so fun!”—but the fun was short-lived, as the titular “big guy came—and—and—and— / HE TOOK MY BALL!” Piggie’s distress is so great Gerald is literally bowled over. “That is not right!” he declares. “What makes those big guys think they are so big?!” “Their size?” suggests Piggie. Gerald stalks off the page to give the big guy what-for, but…the big guy is “very BIG.” In fact, the big guy is a land-going whale, who first thanks Piggie for finding his “little ball” and then laments that no one will play with him because of his extreme size: “LITTLE GUYS HAVE ALL THE FUN.” (The whale speaks in all-uppercase letters, though the font changes with his mood; the previous sentence is printed in tiny, all-capped type.) This morality play in false assumptions and relativity unfurls with Willems’ customary command of visual pacing; gags are spaced just right to keep the pages turning and readers giggling. His deft exploitation of comic-book conventions sets speech balloons to overlapping and appropriately varying in size.
Nineteen books and five Geisel medals or honors along, Elephant and Piggie are still delivering funny, emotionally perceptive stories for just-emerging readers. As the big guy says: “BIG FUN!” (Early reader. 5-8)Pub Date: May 21, 2013
ISBN: 978-1-4231-7491-2
Page Count: 64
Publisher: Hyperion
Review Posted Online: March 26, 2013
Kirkus Reviews Issue: April 15, 2013
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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