by Mojdeh Hassani & Samira Iravani ; illustrated by Maya Fidawi ‧ RELEASE DATE: Feb. 28, 2023
A sweet and gentle story about an oft-misunderstood garment.
When an Iranian child and her grandmother set off for Tehran’s bazaar, the little one sees it as an opportunity to hide in her grandmother’s chador.
Although Samira is eager to help her grandmother shop, she worries that the marketplace will be overwhelming. Despite Mama Shamsi’s reassurance, Samira asks if she can hide under her grandmother’s chador. Mama Shamsi counters Samira’s requests with clever responses, claiming, for example, that if Samira huddles on Mama Shamsi’s back, the pair will look like a turtle and that if she squeezes against Mama Shamsi’s belly, they will resemble a kangaroo. The back and forth continues until they arrive at the bazaar, where Mama Shamsi promises Samira that she will always keep her safe. The rhythmic, playful text beautifully captures the dual patter of an excited child and a bustling city. The authors’ note, which describes the writers’ own childhood experiences playing with their relatives’ chadors, not only imbues the text with meaning, but also helpfully points out elements of the richly hued, often comedically exaggerated illustrations that they find particularly Iranian and especially meaningful. The authors also stress the importance of offering a loving depiction of the chador to counter portrayals of the veil as “a symbol of hate.” Although the title is a bit misleading (the tale ends just before the characters enter the bazaar), this is nevertheless a charming and comforting tale. (This book was reviewed digitally.)
A sweet and gentle story about an oft-misunderstood garment. (Picture book. 3-6)Pub Date: Feb. 28, 2023
ISBN: 978-0-593-11061-4
Page Count: 40
Publisher: Dial Books
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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by Jimmy Fallon ; illustrated by Rich Deas
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by Jimmy Fallon & Jennifer Lopez ; illustrated by Andrea Campos
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