Perfect for those who like a soupçon of Wittgenstein and a dollop of Meister Eckhart with their sadomasochism.
A young American woman spends 15 years in the obsessive, erotic thrall of an Italian nobleman who lives by the rigid “principles” described by the title of Dektar’s second novel.
Nora first meets the handsome, mysteriously charismatic Nicola in a ski gondola while she’s staying with relatives in Turin. She’s a troubled 15-year-old who self-cuts and obsesses about “different kinds of power,” and he’s slightly older. Nora’s cousin Federica, with whom Nora shares an erotically charged connection, describes Nicola vaguely as “evil,” but when he touches Nora’s shoulder to calm her fear of heights, she experiences a thrilling shock. Five years later, she runs into Nicola at a party at her American college. After they speak briefly, she becomes convinced that, for her, Nicola will always be “the pinnacle of something.” Just what that “something” is becomes the novel’s central unanswered question. Years pass. At 28, Nora believes she’s content living with a “good” man in Brooklyn and working as a researcher for a financial intelligence company. Nora claims she no longer “dwell[s] on control and power.” Wrong! Nicola shows up yet again, and the rest of the novel charts Nora’s slide into their long, increasingly sadomasochistic affair. Recently married and working for his extremely rich, corrupt, perhaps even murderous father, Nicola initially stokes Nora’s desire through talk without touch. His religious mysticism, philosophic pronouncements concerning good and bad, and brutal views on (his own) superiority strike Nora as “romantic,” full of “grand passion, honor, irrational, primitive devotion.” Soon the two are sharing not only interminable conversations, but graphic sex, by turns violent and demeaning as Nicola’s demands intensify. His willing partner, Nora craves his control. She wants to be hit and strangled even while recognizing “something wrong” with Nicola’s entwining of vengeance and intimacy. The book lives inside Nora’s perceptions, which after a while become as redundant as the sex itself.
Perfect for those who like a soupçon of Wittgenstein and a dollop of Meister Eckhart with their sadomasochism.Pub Date: July 11, 2023
ISBN: 9780063282704
Page Count: 336
Publisher: Mariner Books
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
BOOK REVIEW
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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