by Molly Dektar ‧ RELEASE DATE: April 9, 2019
An affecting, cleareyed debut.
On an off-the-grid farm, a teenager finds a new home, family, and something far more sinister.
When 19-year-old Berie decides to run away instead of going to college, she meets Bay, a mysterious, scarred stranger who offers to bring her to his home: a farm in the North Carolina mountains. Bay lives there with his community—the Ash Family—under the guidance of Dice, their charismatic, larger-than-life leader. The Ash Family lives off the land, without possessions, and in the so-called “real world.” Bay tells Berie she can stay for three days or the rest of her life—a refrain that echoes throughout the book. Renamed Harmony, Berie sheds her “fake world” name and begins to assimilate into the group. She learns (sometimes painfully) how to care for animals, milk and herd sheep, make cheese, and other tasks needed in the real world. Life on the farm is not all singing, flower crowns, and environmental concern, though. There are also locked doors, secrets, and physical violence. Harmony struggles with her lust for Bay, her desire for material things, and fake world thoughts that threaten her life on the farm. When Harmony befriends Queen, a curious, tattooed former addict, she begins to see how she could be led astray. At times the narration becomes clunky. Despite not being told fully in flashback, there are multiple allusions to Harmony’s future knowledge. These interjections undercut the tension Dektar has been building throughout the novel. Regardless, Dektar is clearly a talented writer; it’s most apparent in her descriptions of nature and farm minutiae: “I woke to find every needle of pine jacketed by a low frozen cloud, sparkling with rime,” and “heavy happiness came down and trapped us in its wax.” The novel also shines in its thoughtful portrayal of cult members’ (likely) complicated feelings: devotion, love, fear, desperation, and purpose.
An affecting, cleareyed debut.Pub Date: April 9, 2019
ISBN: 978-1-5011-4486-8
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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PROFILES
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
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