The best book Jong-Fast could have written about the worst year of her life.
A self-described nepo baby faces the hardest part of nepo adulthood.
Despite being the 50th anniversary of her mother’s famous novel, Fear of Flying, 2023 was not easy for Jong-Fast, daughter of Erica Jong and Jonathan Fast—and an author, podcaster, political commentator, wife, and mother. Due to their declining mental states, her mother and stepfather had to be pried out of their apartment and moved, very unhappily, to assisted living. Her husband, Matt, 59, learned he had a mass on his pancreas; yes, it was cancer; and his own father was failing. This was not all. It has never been easy to be Erica Jong’s daughter; her total involvement with her career and with the men in her life absorbed all her time and energy. “She couldn’t even spend one hour with you,” Jong-Fast’s father tells her. “The most she could do was half an hour.” There was a nanny, private schools, fancy hotel rooms, trips to Venice, celebrities galore, but it was far from a happy childhood: “I was born to privilege, born on third base, but desperate to strike out and go home.” By the age of 19, Jong-Fast was in recovery; this, her 26th year of sobriety, was marked by the continuing damage and sorrow of her mother’s alcoholism. “So much of our lives have been about alcohol that it makes me want to cry.” Jong-Fast is obsessive and merciless about her mother’s drinking as well as her many other profound character flaws, and the miracle of this book is that you feel no need to judge her for that. Her honesty, her self-awareness, and her grief keep you on her side, as well as her humor, understated, blunt, and sometimes black. A typical reflection: “My dad has a moral core, a kind of spirituality and a quest for joy that I do not have. I’m not even sure I’d want it. Which is perhaps not the greatest self-analysis.” “I am a bad daughter,” she tells us over and over, but it’s pretty clear she did the best she could.
The best book Jong-Fast could have written about the worst year of her life.Pub Date: June 3, 2025
ISBN: 9780593656471
Page Count: 256
Publisher: Viking
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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