An absolutely bewitching sequel.
After fighting the darkness that consumed his great-uncle, young witch Aster must now help him heal.
In this sequel to Witch Boy (2017), Aster’s family has agreed to let him become a witch and take classes with the girls. His grandmother offers to help him with his studies in return for a favor: He must help remove the dark magic from her brother, the evil Mikasi, who has transformed into the beast who nearly destroyed Aster’s family. Outside Aster’s magical compound, his friend Charlie is trying to befriend the new girl at school, Ariel. Living with a foster family, Ariel has been bullied in the past and harbors deep distrust and resentment. When a darkness similar to Mikasi’s begins to overtake her, will Charlie and Aster be able to help Ariel in time? Although Aster has gained his family’s acceptance to learn magic forbidden for boys, his defiance of gender and social constraints is still in the forefront here; along a similar vein, his cousin decides that he wants to stop practicing shape-shifting altogether, defying the familial dynamic. Themes of bullying are also deftly explored, with Ariel both a victim and a bully. Ostertag’s sophomore effort is every bit as wonderful as its predecessor, with continued strong worldbuilding, lovely large and bright illustrations, and its approachable and diverse cast that runs a true-to-life spectrum encompassing white-, tan-, and dark-skinned characters as well as same-sex relationships. Aster’s biracial (black/white), Charlie’s black, and Ariel’s Latinx.
An absolutely bewitching sequel. (Graphic fantasy. 7-12)Pub Date: Oct. 30, 2018
ISBN: 978-1-338-25376-4
Page Count: 208
Publisher: Graphix/Scholastic
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
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