With charming artwork, interesting supporting characters, natural-feeling diversity, and peeks of a richly developed world,...
Thirteen-year-old Aster is of age to find the animal that will deem him worthy to take its shape as a shape-shifter. There’s just one problem. Aster doesn’t want to shape-shift—he wants to do witchery, which is forbidden for boys.
Aunt Vervain teaches witchery to the girls, and Aster hides, taking careful notes—but he’s caught. His mother tells him a family secret: his grandmother’s male twin was attracted to witchery. After dabbling in forbidden magic, he morphed into something terrible, caused a disaster in their village, and was cast out. Though Aster’s horrified, he can’t resist practicing magic alone in the woods. To his delight, it works, but he’s seen by Charlie, a black girl from outside his community, and eventually she becomes the confidante and adviser he’s needed. On the night of the Finding, a boy is taken by a mysterious creature. Aster knows he can help with witchery, but he’d have to admit how much he’s learned. Ostertag’s story is straightforward, acting as a parable for gender conformity that’s pitched just right to middle-grade audiences. Her panels are clear, colorful, and friendly, and her worldbuilding flawless, Aster’s magic-working community sitting cheek by jowl with Charlie’s suburb. Characters are all different races: Aster’s mother appears white, his father appears black, and Aster has darker skin than his mother but has her red hair.
With charming artwork, interesting supporting characters, natural-feeling diversity, and peeks of a richly developed world, this book leaves readers wishing for more. (Graphic fantasy. 8-12)Pub Date: Oct. 31, 2017
ISBN: 978-1-338-08952-3
Page Count: 224
Publisher: Graphix/Scholastic
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
PROFILES
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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