A satisfying family story that weaves together cultural practices and intergenerational connections.
A spunky introduction to the origin and customs of Japan’s Star Festival.
Keiko, a young Japanese girl, is so excited to experience her fifth Tanabata Matsuri, which will also be her grandmother’s 85th. Her mother tries to help Keiko behave, but Oba understands Keiko’s bright enthusiasm. Together they all dress up in summer kimonos, put on their geta (one of the sandals falls off of Keiko’s foot), and make their way to the festival. Oba recounts the folktale behind the festival, in which two stars fell in love and neglected their duties, causing the Emperor of the Heavens to prevent them from seeing each other. At the festival, Keiko marvels at the taiko drums, streamers, and slippery noodles. Suddenly, Mama notices that Oba is missing! The merry chaos of the festival impedes Mama and Keiko as they frantically search. When at last they reunite, they share the wishes they have made and return home after an eventful day. Themes from the folk story are woven into this family tale, the expressive text seamlessly incorporating Japanese words into the narrative and dialogue. Backmatter includes the story of Tanabata Matsuri as well as information about food, decorations, and instructions on creating a tanzaku for wish making. The warm, rich palette alternates between deep hues of blue and red and more muted pastels, with a particularly eye-catching spread of fireworks.
A satisfying family story that weaves together cultural practices and intergenerational connections. (Picture book. 4-7)Pub Date: April 1, 2021
ISBN: 978-0-8075-7595-6
Page Count: 32
Publisher: Whitman
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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