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THE STAR FESTIVAL

A satisfying family story that weaves together cultural practices and intergenerational connections.

A spunky introduction to the origin and customs of Japan’s Star Festival.

Keiko, a young Japanese girl, is so excited to experience her fifth Tanabata Matsuri, which will also be her grandmother’s 85th. Her mother tries to help Keiko behave, but Oba understands Keiko’s bright enthusiasm. Together they all dress up in summer kimonos, put on their geta (one of the sandals falls off of Keiko’s foot), and make their way to the festival. Oba recounts the folktale behind the festival, in which two stars fell in love and neglected their duties, causing the Emperor of the Heavens to prevent them from seeing each other. At the festival, Keiko marvels at the taiko drums, streamers, and slippery noodles. Suddenly, Mama notices that Oba is missing! The merry chaos of the festival impedes Mama and Keiko as they frantically search. When at last they reunite, they share the wishes they have made and return home after an eventful day. Themes from the folk story are woven into this family tale, the expressive text seamlessly incorporating Japanese words into the narrative and dialogue. Backmatter includes the story of Tanabata Matsuri as well as information about food, decorations, and instructions on creating a tanzaku for wish making. The warm, rich palette alternates between deep hues of blue and red and more muted pastels, with a particularly eye-catching spread of fireworks.

A satisfying family story that weaves together cultural practices and intergenerational connections. (Picture book. 4-7)

Pub Date: April 1, 2021

ISBN: 978-0-8075-7595-6

Page Count: 32

Publisher: Whitman

Review Posted Online: March 1, 2021

Kirkus Reviews Issue: March 15, 2021

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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