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NOT A COPPER PENNY IN ME HOUSE

POEMS FROM THE CARIBBEAN

Quiet, gracefully cadenced descriptions by a Jamaican-born author make a likable complement to Lessac's affectionate evocations of the island scene. Beginning and ending with colorful Christmas festivities, the 15-poem cycle touches frequently on the realities of poverty (``Roadside Peddlers''; a poignant portrayal of a storekeeper who ``never says no,'' even when Grandma sighs, ``Chil', me stone broke...Not a copper penny in me house''). Pleasures are simple, and telling—watching laundry bleach in the sun; using ``velvet leaves'' when soap is scarce; shining shoes with hibiscus blossoms. In other scenes, a teacher moves a lesson outdoors on a hot June day and Grandpa enjoys conversing with God while he rests on Sunday. As always, Lessac's colors are jewel-bright, her compositions clean and decorative; she imbues her stylized figures with unusual warmth and sympathy. An appealing tribute. (Poetry/Picture book. 4-10)

Pub Date: Sept. 1, 1993

ISBN: 1-56397-050-0

Page Count: 32

Publisher: Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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LIZARDS, FROGS, AND POLLIWOGS

POEMS AND PAINTINGS

“It’s wise to stay clear / Of the dangerous cobra / All months of the year, / Including Octobra.” But it wouldn’t be wise to stay clear of Florian’s latest poetry collection, sixth in his successful series of witty poems and paintings about creatures of all sorts (Mammalabilia: Poems and Paintings, 2000, etc.). This volume includes 21 short poems about reptiles and amphibians, including common creatures such as the bullfrog and the box turtle and more exotic specimens such as the komodo dragon and the red-eyed tree frog. Teachers will like the way the rhyming poems integrate into elementary science lessons, imparting some basic zoological facts along with the giggles, and kids will love the poems because they’re clever and funny in a style reminiscent of Ogden Nash, full of wordplay and sly humor. Florian’s impressionistic full-page illustrations are done in watercolors on primed, brown paper bags, often offering another layer of humor, as in the orange newt reading the Newt News on the cover. A first choice for the poetry shelves in all libraries, this collection is toadally terrific. (Poetry. 4-10)

Pub Date: April 1, 2001

ISBN: 0-15-202591-X

Page Count: 48

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2001

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ALL THE COLORS OF THE EARTH

This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)

Pub Date: Aug. 1, 1994

ISBN: 0-688-11131-9

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

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