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AMERICAN FIRE

LOVE, ARSON, AND LIFE IN A VANISHING LAND

A true-crime saga that works in every respect.

A captivating narrative about arson, persistent law enforcers, an unlikely romantic relationship, and a courtroom drama.

The setting is Accomack County, a lightly populated area of the Eastern Shore “separated from the rest of the state by the Chesapeake Bay and a few hundred years of cultural isolation.” Washington Post reporter Hesse (Girl in the Blue Coat, 2016) knew almost nothing about the economically depressed, desolate county when she first visited there in 2013 after hearing about a series of regularly occurring arsons of abandoned buildings. Eventually, the number of similar-seeming arsons would top out at 67. Though there were no reported deaths or serious injuries, the burning buildings were exhausting the lightly staffed volunteer fire departments in the county and consuming the resources of local and state law enforcement agencies. For nearly half a year, police mounted sophisticated stakeouts hoping to catch the arsonist in the act, but they consistently failed to identify a suspect. Even a profiler, who, it turned out, accurately predicted the neighborhood where the arsonist resided, did not see his lead pan out. Then, finally, a stakeout at an unoccupied home paid off. Hesse reveals the culprit early in the book—two of them, actually, Charlie Smith and Tonya Bundick (“Bonnie and Clyde of the Eastern Shore”), who lived together romantically along with Bundick’s sons. Local police knew the culprits personally; Smith had even served as a volunteer firefighter, as did his brother. As Hesse constructs her narrative, the surprises arrive in the manner of the arrest, the motives for the fires, and the outcomes of the multiple trials. Throughout, the author offers a nuanced portrait of a way of life unknown to most who have never resided on or visited the Eastern Shore.

A true-crime saga that works in every respect.

Pub Date: July 11, 2017

ISBN: 978-1-63149-051-4

Page Count: 288

Publisher: Liveright/Norton

Review Posted Online: March 19, 2017

Kirkus Reviews Issue: April 1, 2017

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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