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NIGHT ON THE SAND

Powerfully compelling.

When a nature-based calamity befalls a pair of young brothers, the boys find refuge and community among sandy shores.

Images of happier times adorn the title and copyright pages: a birthday party, a snuggle on a couch. Turn the page, and a catastrophe emerges with “a howl, / a dark whirl of wind and power.” Snapshots of destruction—homes destroyed, a fallen roof—follow. Bruised purples and deep reds bleed across the artwork, a solemn, breathtaking portrait of ruin. It’s now night, and the brothers can’t find their parents. Covering their shoulders with a blanket, the children walk “one foot in front of the other,” away from the destruction behind them. They arrive at a beach, where they lie down; others slumber near them, “strewn on the shore like shells, / like rocks, like driftwood.” Morning comes, bringing with it soothing light. Hunger pulls the brothers out of their thoughts and toward a fire, where others gather. With the calm waves at their feet, the survivors huddle near the fire, waiting until help breaks through the horizon. This painful yet hopeful tale renders its difficult subject matter palpable. Mayper’s decision to omit specific context from this tale—in, as she describes in an author’s note, a move toward “our human connection"—proves sensible thanks to evocative text that allows readers to fill in the details. Similarly, the artwork delineates moods and emotions via a precise, rich palette that favors visceral landscapes and nondescript characters to its advantage. Characters are dark-haired and light-skinned. (This book was reviewed digitally.)

Powerfully compelling. (Picture book. 4-8)

Pub Date: Aug. 16, 2022

ISBN: 978-1-328-88418-3

Page Count: 32

Publisher: Clarion/HarperCollins

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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