A disturbing novel that endorses darkness, suffering, and pain as means to a higher truth.
Six young people living together in Barcelona collaborate on a multimedia experience that messes with everybody’s heads.
If one of the points of transgressive fiction is to trespass on the reader’s psyche, often to the point of revulsion, Ojeda's novel is certainly a memorable example of the genre. This phantasmagoric mélange of technology, psychological distress, and body horror is a linguistic marvel and a perpetual engine for the heebie-jeebies. It’s an oral history, of sorts, recounting the strange origins of a legendary game that appeared and disappeared on the dark web so quickly that information about it is nearly vaporous. The author’s interest in the online horror phenomenon known as creepypasta is clearly at play here. Six starving artists are living together in a flat in Barcelona when their disparate obsessions begin to commingle. Kiki Ortega, 23, is easily the moodiest and most confrontational, a student writing a pornographic novel about three adolescents that appears in large excerpts throughout the narrative. Iván Herrera is a writer infusing his art with his own body dysmorphia. El Cuco Martínez is the videogame designer born from Europe’s demoscene who makes the titular game possible. Finally, there are the Terán siblings, Irene, Emilio and Cecilia, who populate the game—based on the mythology of the Backrooms and their disquieting use of liminal spaces—with their own horrific history of childhood abuse. “It was a space for personal exploration,” explains Iván. “You could think differently while playing. The Teráns designed it so that the player’s experience was a poem.” Intensely intellectual, horrific, and disturbing, this tiny nightmare is one of those peek-between-your-fingers pleasures if you're into this sort of thing. As El Cuco reflects, “I suppose we’re all attracted to what disgusts us and want to scare ourselves, even though we don’t like to admit that fear is pleasurable.”
A disturbing novel that endorses darkness, suffering, and pain as means to a higher truth.Pub Date: Oct. 24, 2023
ISBN: 9781566896894
Page Count: 184
Publisher: Coffee House
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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