by Monica Wellington ; illustrated by Monica Wellington ‧ RELEASE DATE: March 19, 2019
A tender story that teaches young readers that ballet isn’t just about performing—it’s also about relationships
For those who are starting to dream of pirouettes and pointe shoes.
In this epistolary picture book from “Little Dancer” to “Ballerina,” who responds, this young, admiring protagonist describes what she likes about ballet: tiptoeing in ballet slippers, bending and stretching, jumping and turning. Little Dancer describes how she prepares for a performance, works hard in rehearsals, enjoys getting fitted for her tutu, and delights in wearing stage makeup. Little Dancer also loves seeing Ballerina’s name sewn into her tutu; it was once Ballerina’s. Awaiting her turn to perform, Little Dancer watches Ballerina from the wings as Ballerina dances with a male lead before an eager audience. When she finally gets her turn on stage with Ballerina, Little Dancer “dream[s] of being an amazing ballerina” too. Backgrounds awash in pastel pinks, yellows, greens, and purples create a joyous mood, and the thin, sans-serif type compliments the elegance of this art form. Text and illustrations in the backmatter explain some of the accoutrements of ballet, such as needle and thread, leg warmers, and a leotard. Although the illustrations depict both Little Dancer and Ballerina with light-brown skin and show a multicultural cast of little ballerinas—both male and female—with different skin and eye colors, their uniformly round heads and body types somewhat detract from the message that ballet is truly inclusive.
A tender story that teaches young readers that ballet isn’t just about performing—it’s also about relationships .(Picture book. 4-8)Pub Date: March 19, 2019
ISBN: 978-0-8234-3932-4
Page Count: 40
Publisher: Holiday House
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
by Katheryn Russell-Brown ; illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2014
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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