by Monika Filipina ; illustrated by Monika Filipina ‧ RELEASE DATE: April 6, 2021
An agreeable lesson in inclusion.
Even a noisemaker can find a place in the band.
In this simple but effective Italian import, the author/illustrator of All About Cats (2017) offers a reassuring message. With whimsical, colorful cartoons, she introduces Edward the elephant’s friends, an array of highly individual jungle animals who make beautiful instrumental music together. Alas, no matter what instrument he tries, Edward can make only “a terrible noise.” He never misses a band concert, but he’s always the audience. One day, he’s late, and his noisy arrival suggests another possibility: Edward can be the drummer. The story is conveyed in short sentences surrounded by images full of detail—sometimes in vignettes and sometimes double-page spreads. The Polish illustrator’s appealing animal characters have googly eyes, stylized noses, and happy smiles. The zebra sports dark glasses; Edward wears checkered pants with suspenders. The band members play a wild variety of instruments, from harp and double bass to accordion and toy xylophone. Their jungle is full of colorful variety, too. These bright, scribbly illustrations are the stars of the show. One striking scene shows Edward, drink in hand, enjoying a musical performance, clearly part of the circle even in his role as audience—which (it should have been noted) is also important. The circle is repeated on the last spread, when Edward and his new drum join the band. Whether by accident or design, Filipina often spaces her characters far enough apart from one another to suggest social distancing.
An agreeable lesson in inclusion. (Picture book. 4-8)Pub Date: April 6, 2021
ISBN: 978-1-4338-3505-6
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
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by Brenda S. Miles ; illustrated by Monika Filipina
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by JaNay Brown-Wood ; illustrated by Tamisha Anthony
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by JaNay Brown-Wood ; illustrated by Olivia Amoah
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by JaNay Brown-Wood ; illustrated by John Joven
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