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WHAT WORLD IS LEFT

An unusual Holocaust novel told through the eyes of a cognizant, questioning teen.

Anneke Van Raalte’s nonpracticing Dutch Jewish family is sent to Theresienstadt, a concentration camp that the Nazis try to pass off as a model settlement.

Fourteen in 1943, she lives through two years of scarce food, bedbugs, forced labor, and little privacy. Still, life here is preferential to being transported to death camps like Auschwitz, a fate suffered by many, including her best friend and the boy with whom she falls in love. Her family survives, but the Russian liberators and Dutch military are later suspicious: Did her father’s artistic work keep the family alive? Anneke struggles with these thoughts. She details the Nazis’ grandiose plans for the Embellishment, a facade created to fool the 1944 Danish Red Cross committee, which included her father’s fairy-tale murals in the children’s infirmary. In this first-person narrative, Anneke is keenly aware of the moral choices her father and other artists make even as they create clandestine drawings documenting their true plight. This novel, based on the author’s mother’s memories and a book by her maternal grandfather, cartoonist and illustrator Jo Spier, explores the situation of artists who were used by the Nazis to help cover up their heinous crimes. Originally published in 2008, this edition includes a new preface and references. Polak writes authentically, including appropriate details about the camp’s horrors and insights into her protagonist’s conflicted feelings about friendship, romance, family, and religion.

An unusual Holocaust novel told through the eyes of a cognizant, questioning teen. (author’s note, organizations) (Historical fiction. 12-16)

Pub Date: May 17, 2022

ISBN: 978-1-4598-3303-6

Page Count: 240

Publisher: Orca

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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LEGENDARY

From the Caraval series , Vol. 2

Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play.

Garber returns to the world of bestseller Caraval (2017), this time with the focus on younger, more daring sister Donatella.

Valenda, capital of the empire, is host to the second of Legend’s magical games in a single year, and while Scarlett doesn’t want to play again, blonde Tella is eager for a chance to prove herself. She is haunted by the memory of her death in the last game and by the cursed Deck of Destiny she used as a child which foretold her loveless future. Garber has changed many of the rules of her expanding world, which now appears to be infused with magic and evil Fates. Despite a weak plot and ultraviolet prose (“He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.”), this is a tour de force of imagination. Themes of love, betrayal, and the price of magic (and desire) swirl like Caraval’s enchantments, and Dante’s sensuous kisses will thrill readers as much as they do Tella. The convoluted machinations of the Prince of Hearts (one of the Fates), Legend, and even the empress serve as the impetus for Tella’s story and set up future volumes which promise to go bigger. With descriptions focusing primarily on clothing, characters’ ethnicities are often indeterminate.

Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play. (glossary) (Fantasy. 12-16)

Pub Date: May 29, 2018

ISBN: 978-1-250-09531-2

Page Count: 464

Publisher: Flatiron Books

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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10 BLIND DATES

An enjoyable, if predictable, romantic holiday story.

Is an exuberant extended family the cure for a breakup? Sophie is about to find out.

When Sophie unexpectedly breaks up with her boyfriend, she isn’t thrilled about spending the holidays at her grandparents’ house instead of with him. And when her grandmother forms a plan to distract Sophie from her broken heart—10 blind dates, each set up by different family members—she’s even less thrilled. Everyone gets involved with the matchmaking, even forming a betting pool on the success of each date. But will Sophie really find someone to fill the space left by her ex? Will her ex get wind of Sophie’s dating spree via social media and want them to get back together? Is that what she even wants anymore? This is a fun story of finding love, getting to know yourself, and getting to know your family. The pace is quick and light, though the characters are fairly shallow and occasionally feel interchangeable, especially with so many names involved. A Christmas tale, the plot is a fast-paced series of dinners, parties, and games, relayed in both narrative form and via texts, though the humor occasionally feels stiff and overwrought. The ending is satisfying, though largely unsurprising. Most characters default to white as members of Sophie’s Italian American extended family, although one of her cousins has a Filipina mother. One uncle is gay.

An enjoyable, if predictable, romantic holiday story. (Fiction. 13-16)

Pub Date: Oct. 1, 2019

ISBN: 978-1-368-02749-6

Page Count: 336

Publisher: Disney-Hyperion

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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