A mournful tour through Caribbean history via one of its most indelible legends.
In this Costa Award–winning novel, the discovery of a mermaid makes waves on a fictional Caribbean island.
In 1976, during an annual fishing competition in the waters off Black Conch, a creature is hauled aboard a whaler called Dauntless. The boat is owned by a White father-and-son duo who have come from Florida to take part in the competition. David Baptiste, a local Black fisherman, is the only one who knows that a strange creature lurks in the water, so when she’s strung up on the jetty and left to bleed out by the astonished but proud Americans, it’s Baptiste who performs a stealthy rescue. In his saltwater-filled bathtub, the mermaid begins transforming back into a woman. Over time, Baptiste learns her story: Belonging to the Indigenous Taino people, the mermaid, Aycayia, was once a woman who was cursed to her fate by other women in her village. As she relearns human life, taught to read by Baptiste’s White landlady, Arcadia Rain, and befriended by Arcadia’s young Deaf son, Aycayia wonders whether, through her millennialong exile in the sea, she has managed to shake off her curse and connect again to the land of her people. Told through journal entries written by Baptiste decades after the events, verse snippets from Aycayia, and omniscient narration swirling through a core group of characters, the mermaid’s melancholy tale is a clear colonial allegory, the story of an island nation and its history of Indigenous people vanishing, slavery, European domination, and independence, with an uneasy and watchful present relationship between the White and Black islanders. These relationships, especially, are keenly observed and wrought: Roffey herself was born in Trinidad to a British father and a European mother who was born in Egypt, and she identifies as binational and White Creole.
A mournful tour through Caribbean history via one of its most indelible legends.Pub Date: July 12, 2022
ISBN: 978-0-593-53420-5
Page Count: 240
Publisher: Knopf
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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