In parts memoir, travelogue, political treatise, and extended essay on the tangled question of what it means to be a Jew living outside of Israel. The founders of the state of Israel had hoped that all Jews would come ``home'' after some 2,000 years of exile. Yet 46 years after the birth of the state, less than half the world's Jews live there, and fewer Jews live in Israel than in the United States. Richler (Oh Canada! Oh Quebec!, 1992, etc.) offers no startling new insights into this phenomenon or into the growing split between Israeli Jews and those living in what is called the Diaspora. What he does offer is an intensely personal account of two journeys: one, of a teenager in Montreal who becomes an ardent Zionist in the years leading up to the creation of Israel in 1948; and two, of a Diaspora Jew in his 60s who visits Israel in 1992, measuring the state against his idealistic dreams of decades before, and measuring himself against the Israelis who had once been his teenage comrades in Canada. Making it clear that his sympathies lie with the left, Richler offers a clear picture of the modern state and its highly charged politics, based on numerous interviews and extensive reading. The more interesting parts of the book, however, have to do with Richler's personal engagement with Israel, even as he defends his choice to live in Canada. When a journalist tells Richler that he left the US because in Israel ``I am at home,'' Richler writes, ``But many of us, unapologetically Jewish, do feel at home in North America, the most open of societies.'' It is Richler's passionate, personal wrestling with this issue that sets this book apart from many others on the subject. A provocative and highly readable exploration of Israel in the mind of a Jew who has chosen not to live there, of interest primarily to other Jews aware that they have made the same decision.
Pub Date: Sept. 19, 1994
ISBN: 0-679-43610-3
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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