Gerstein (Absolutely Awful Alphabet, 1999, etc.) retells the tale of Queen Esther’s plight, making the origins of Purim and its lessons shine. The well-known events of the tale are well told: When the wealthy king of Persia selects the beautiful Esther as his new wife, her cousin Mordecai warns her not to tell the king she is Jewish; Haman concocts his devious plan; Mordecai saves the king from poisoning, etc. Unlike Cathy Goldberg Fishman’s On Purim (2000), which makes the origins of Purim secondary to the preparations for the celebration, Gerstein offers in-depth portrayals of the principal characters. He rounds out the story in the depiction of Esther’s devotion to Mordecai, the king’s growing affection for his queen, and his gullibility at the hands of the villainous prime minister. Colorful illustrations shimmer with the vibrant hues of Persia, with lush purple, orange, and yellow mingling to vivid effect. Eminently readable, this biblical tale of evil vanquished and innocence saved contains an important message about strength of character that speaks to all children, regardless of their faith. (Picture book. 5-10)
Pub Date: Feb. 1, 2000
ISBN: 0-689-81372-4
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
A wondrous occurrence, an ancient tradition, and an elderly nun’s abiding faith are the basis of this moving Chirstmas tale from dePaola (26 Fairmount Avenue, p. 629, etc.). Sister Angie is overjoyed when her niece Lupe and her husband are selected to play Mary and Joseph—here, Maria and José—for Las Posadas, the reenactment of the journey into Bethlehem. When Sister Angie becomes ill and Lupe and Roberto become stranded in a heavy snowstorm, it seems as if the celebration will be delayed. However, a couple arrives just in time to take the place of the missing players. The whole village participates in the procession, from the singers who follow Mary and Joseph, to the “devils” who attempt to prevent the weary travelers from finding lodging. After several rebuffs, the couple arrives at the gates of the courtyard; these open and the entire assembly enters to celebrate. When Lupe and Roberto finally show up, the other couple is nowhere to be found. The story takes a supernatural twist when Sister Angie discovers that the figures in the church’s manger scene have come to life, temporarily, for the procession. The mysteries and miracles of the season are kept at bay; this simple narrative spells everything out, resulting in a primer on the tradition. Richly hued, luminescent illustrations radiate from the pages; an introduction and author’s note provide additional information. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23400-4
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
Silverman (The Halloween House, 1997, etc.) tells of Raisel, an orphan girl who is raised by her scholarly grandfather until his death; three wishes from an old beggar woman allow Raisel to attend the Purim play dressed as Queen Esther, where she captures the attention of the rabbi’s son. It is her clever riddle about the precious nature of learning, however, that eventually wins his heart. Carefully crafted, this story not only entertains, but it teaches readers about the Jewish holiday, Purim, Queen Esther, and the tradition of costumed re-enactment. Unlike a majority of the other versions of the Cinderella story, this one does not include a self-absorbed prince who combs the countryside looking for a bride of a particular shoe size; refreshingly, Silverman’s hero is as intelligent as he is handsome, and seeks a bride who is his equal. Graber’s illustrations are the perfectly complement, embodying Raisel’s transformation from a life of servitude to one of riches “more precious than rubies.” (Picture book. 5-8)
Pub Date: March 2, 1999
ISBN: 0-374-36168-1
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
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