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THE SHADOW OF A FLYING BIRD

A LEGEND FROM THE KURDISTANI JEWS

Gerstein (The Story of May, 1993, etc.) explains that this tale of Moses's surpassingly reluctant and argumentative passage into heaven is from a midrash (``a text using biblical legends to teach a moral lesson'') and that his source was a translation from a 500-year-old Kurdistani manuscript. As his people are about to enter the Promised Land, God summons Moses's soul. Moses objects (``Why now?...My hundred and twenty years seem like one short day'') but is finally convinced that nobody lives forever. Then the angels demur: How can they take the soul of God's greatest prophet? Only the Angel of Death is willing, and he is so evil that a wrathful Moses drives him away. Finally, God himself takes the soul and then weeps (``Whom will I love as well?''). He is comforted by all the ``blissful souls'' in heaven: ``His soul will be with you forever and always.'' Gerstein surpasses himself in glorious paintings of shadowy blues, rusty flame, and luminous light hues. His angels recall both ancient Middle Eastern sculpture and Chagall's aerial musicians, while God's presence is rendered in stars, clouds, and pure light. Lyrical, comic, cosmic, and deeply touching. (Folklore/Picture book. 4+)

Pub Date: Sept. 23, 1994

ISBN: 0-7868-0016-X

Page Count: 32

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1994

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WHAT JEWISH LOOKS LIKE

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.

This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.

Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)

Pub Date: Sept. 24, 2024

ISBN: 9780063285712

Page Count: 128

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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SAINT VALENTINE

The most interesting feature of this retelling of a story about a saint martyred in A.D. 270 is the art, a meticulous re- creation of the medium of its subject's period. Using thousands of tiny, rectangular pieces resembling tiles, Sabuda replicates the effect of Roman mosaics. His simple designs and harmonious, gently muted colors are pleasing, and he achieves surprising subtleties of expression, considering the intractability of the medium. Actually, the illustrations work even better from a slight distance (as with a group), so that the demarcations between the tiny pieces are less predominant. The technique, which tends to congeal the action, makes relatively undramatic illustrations; still, it's a fascinating experiment that brings the ancient world to life by paying tribute to its art rather than by picturing it in a modern style. The straightforward narrative centers on Valentine as a physician whose ointment restores the sight of a jailer's blind daughter, long the saint's friend. It's implied that the long-awaited cure takes place at the moment of his offstage death; the story ends with the joy of the child's renewed vision. An unusual and attractive rendition. Historical note. (Nonfiction/Picture book. 6-9)

Pub Date: Oct. 30, 1992

ISBN: 0-689-31762-X

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1992

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