A severe case of Madonna/whore syndrome plus a hard-to-swallow twist make for a difficult read.
Reeling after a shocking deathbed confession from his wife, a man in this novel tries to put his life back together.
Just before she died from cancer, Elliot Fitch’s beloved wife, Karen, told him he was not the biological father of their teenage daughter, Elena. A year later, Elliot, still filled with depression and rage, is obsessed with tracking down “the man who had destroyed my marriage and my image of my dead wife.” (He now thinks of her as a “cheating whore.”) Meanwhile, he learns that Elena is pregnant. He vows to support her, feeling guilty and not wanting to be the kind of father who “never really gave a fuck about the well-being of the girl he was supposed to have raised into a lady, not a whore.” As Elliot investigates Karen’s former boyfriends—or, as he puts it, “those who had travelled through that sacred territory before I did”—he’s aided by Veronica, a pretty young delivery driver and single mother he met while signing for a sex toy ordered by his daughter. They fall in love while together unraveling the mystery—with surprising results. Parker (Sick Day, 2014, etc.) is a more than competent writer in many ways: He structures his story well, his characters are distinctive, and his dialogue lively. But it’s hard to get past this book’s uncomfortable levels of ick, e.g., father and daughter creepily giggling and teasing each other about masturbation and sex toys or several scenes of masturbation/sex being interrupted by offspring. (Nevertheless, an Elliot/Veronica sex scene is nicely handled.) Elliot’s over-the-top resentment about Elena’s parentage tends to elbow into every interaction: As she vomits, he hopes “that my daughter—who wasn’t biologically mine in the first place—would be okay.” His petty grudges extend back to Elena’s preschool days, when he had to paint her room while she went out with mom for a pedicure. Elliot’s constant poutiness and—sometimes almost literal—dick-measuring betray many unpleasant insecurities. Finally, the trick ending is an implausible groaner.
A severe case of Madonna/whore syndrome plus a hard-to-swallow twist make for a difficult read.Pub Date: Aug. 16, 2014
ISBN: 978-0991764877
Page Count: 302
Publisher: QuoteStork Media, Inc.
Review Posted Online: Oct. 9, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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