Next book

THE DIVIDE

This Hollywood thriller requires a suspension of disbelief but offers a few unique twists.

A former actress turned fake psychic finds herself embroiled in a Hollywood murder.

Jenny St. John knows she’s not much of a psychic. But since her fortunes fell apart in Hollywood, she’s not sure how to scrape together a living other than by using her distinctly un-supernatural powers of observation. Jenny’s path to screen success was once bright: At 18, like so many aspiring actresses, she left her home in the Midwest and arrived in Los Angeles full of hope and promise. She landed a role in an indie film, working with up-and-coming director Serge Grumet. The movie failed, but Serge exceled, sailing up the auteur ranks as swiftly as Jenny’s career disintegrated. Now, years later, Serge has been found murdered, and his ex-wife, Gena, an artist of note, has disappeared, too. When a cop shows up with questions and Jenny realizes the missing Gena looks exactly like her and has been taking credit for her movie role for years, she finds herself drawn into the mystery of who killed Serge. Richter isn’t afraid to ask a lot of her audience: Not only must readers accept the doppelgänger story—could two women look that much alike?—but they must also buy the idea that one of Gena’s friends would pay an unsuccessful fake psychic to investigate a murder instead of hiring a private investigator or just waiting for the police to solve the crime. If you’re able to gloss over such unlikely developments, you’ll discover a strange originality in this book, which offers a bit of a twist on the standard Tinseltown crime story.

This Hollywood thriller requires a suspension of disbelief but offers a few unique twists.

Pub Date: Aug. 20, 2024

ISBN: 9780593685679

Page Count: 304

Publisher: Knopf

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

Next book

DEAR DEBBIE

Gleefully sadistic, gloriously gratifying revenge fiction.

A frustrated advice columnist takes matters into her own hands.

Before dropping out of MIT during the second semester of her sophomore year, Debbie Mullen had designs on becoming the next Bill Gates. Now, almost 30 years later, the stay-at-home wife and mother of two uses her considerable genius to keep the Mullens’ Hingham, Massachusetts, household functioning “like a well-oiled machine.” In her spare time, Debbie also gardens and shares “the fruits of [her] wisdom” with neighbors via the weekly advice column she writes for Hingham Household, a local “family-oriented” newspaper. Though Debbie is proud of her husband and teen daughters’ accomplishments, her own life sometimes feels a bit empty. As such, she’s both honored and excited when Home Gardening magazine selects her backyard to feature in their next issue. Then, at the last minute, the publication decides to go in a different direction and instead spotlights the roses of her arch rival. Later that day, the editor-in-chief of Hingham Household axes her column because she’d counseled a reader to get a divorce. That evening, Debbie learns that her hard-working husband’s miserly boss refused his promotion request, her brilliant older daughter’s sketchy boyfriend broke her heart, and her athletically gifted younger daughter’s chauvinistic coach cut her from the soccer team for being “chubby.” Enough is enough. Debbie has always given great advice—everybody says so. If certain individuals don’t know what’s best for themselves, maybe it’s her obligation to help them see the light. Increasingly unhinged entries from a “Dear Debbie” drafts folder pepper the briskly paced, meticulously crafted tale, which unfolds courtesy of a pinwheeling first-person narrative. Some of the plot’s myriad twists are more impressive than others, but plucky, puckish Debbie is a nontraditional antihero for the ages.

Gleefully sadistic, gloriously gratifying revenge fiction.

Pub Date: Jan. 27, 2026

ISBN: 9781464249624

Page Count: 336

Publisher: Poisoned Pen

Review Posted Online: Dec. 10, 2025

Kirkus Reviews Issue: Jan. 15, 2026

Next book

WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

Close Quickview