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DOUBLE AGENT

THE CRITIC AND SOCIETY

A prescription for the insular excesses of contemporary criticism that goes wrong as early as its title, since Dickstein (Gates of Eden, 1989—not reviewed) never explores the metaphor of critics as agents of two opposed powers, professing allegiances they do not feel. Few are likely to dispute Dickstein's familiar charge—that academic criticism has become increasingly remote from the experience, or even the competence, of educated nonspecialists. After examining the widening gulf between the babel of the academy and the narrowed prestige of book reviewers, Dickstein proposes a solution in the form of an alternative history or countertradition of cultural criticism (Matthew Arnold, Van Wyck Brooks, Lionel Trilling, Irving Howe, Philip Rahv, Alfred Kazin, and the discipline of American Studies), literary journalism (Francis Jeffrey, Edmund Wilson, F. W. Dupee), and belletristic survivors like Malcolm Cowley and—in two of his strongest and most surprising sections—H. L. Mencken and George Orwell. Appreciating and revising this humanistic tradition, Dickstein argues, offers the best hope for ``recaptur[ing] the public space occupied by the independent man or woman of letters not only between the wars but throughout the nineteenth century.'' Dickstein's revival of this tradition is timely and welcome, though his own writing, lacking the nobility of Trilling's voice and the incisiveness of Kazin's, isn't its most effective advertisement, especially in its vague choice of positive terms (``Art belongs to a human world'') and its search for painless consensus—as in a closing dialogue calling for a return to a new historicism that isn't quite New Historicism. A provocative survey of literary journalism, then, that's too ready to overlook the fact that genuine breakthroughs in thought are seldom achieved through compromise.

Pub Date: Sept. 1, 1992

ISBN: 0-19-507399-1

Page Count: 256

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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