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THE TYRANNY OF DESIRE

A lively but profane comic tale.

A well-endowed dilettante seeks to turn around his train-wreck life in this debut picaresque novel.

Painter Puchy Mushkin’s identity is entangled with his prodigious phallus (“Big Puchy”). “Truth is, my penis is the perfect metaphor for my talent,” he explains early in the story. “I was born with too much of it and have been dragging it along like a box of rocks ever since.” He’s an artist who doesn’t believe in sharing his art with the world, which is why he works a “straight” job as a caterer. When his wife leaves him as a result of his myriad anti-social qualities, the bisexual Puchy decides to date men for a while, beginning with an ill-fated courtship with a handyman named Robby. That relationship ends with Robby crucifying Puchy to a wall using a power drill and three-inch screws. The resulting scandal leaves Puchy a laughingstock, disowned by his parents, and without any reasonable way to make a living. In response to his state of failure, Puchy decides his problem is that he’s been trying too hard to succeed. He needs to start quashing his own desire so as to never be disappointed. After Robby attempts to murder Puchy in the hospital, the hero flees to Los Angeles to crash at the home of his former college roommate Shane Addams, hoping to lay low until he can testify against the handyman in court. LA is a hard place to forsake desire, it turns out, especially since Shane wants to make a movie about Puchy’s life, and every woman he meets wants to take his famous appendage for a spin. As he dips his toes in the city’s seedier corners—including the mayoral race—will Puchy be able to kill that oppressive tyrant, desire? Or will his appetites lead to the destruction of everyone around him?

The energetic novel presents a wide variety of adventures starring Puchy. But the tale rests somewhere on the more offensive end of fratire, and Shallman seems eager to challenge readers’ senses of decency whenever possible. Puchy has few redeeming qualities, and he narrates his story as though he’s deliberately trying to be as off-putting as possible. Here, he describes being recorded by strangers while having sex with one of his co-workers at a rave: “When Gretchen noticed we were being filmed, she immediately decoupled and ran off screaming, like the little Vietnamese girl in the painting, leaving me alone in the cabana with Big Puchy. This is not good, I thought to myself, scanning the crowd, hoping someone might take the hint and finish him off.” Despite the initial graphic description of sex with Robby, the vast majority of Puchy’s escapades are with women, running the gamut in terms of fetishes and transgressions. Beyond a kind of sophomoric ribaldry, the author’s artistic aims are unclear. There are a lot of jokes about Judaism, some jabs at electoral politics, and an unexpectedly violent third act, but readers are left without much of a sense of what any of it was for.

A lively but profane comic tale.

Pub Date: Jan. 25, 2023

ISBN: 979-8-9863548-0-4

Page Count: 212

Publisher: Flying Bed Books

Review Posted Online: Oct. 21, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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