SUBCULTURE VULTURE

A stand-up comic offers a deep dive into the off-the-beaten-track communities that have shaped his life.

Continuing in the vein of Kasher in the Rye, Kasher expands on his life story with a New Journalism approach—immersive first-person reporting (and comedic riffing) on interesting American subcultures. “I have at times been a professional raver/DJ/ecstasy dealer; a boy-king of Alcoholics Anonymous surrounded by throngs of other confused young people getting sober; a Burning Man attendee and then employee stuffing the psychedelic sausage; a conflicted but proud Jew attempting to make sense of the ultra-Hasidic world I’d been raised in; an American Sign Language interpreter who was at once both insider and outsider in the deaf community; and what I am today, a stand-up comedian.” What’s not in that employment history—but makes the book intriguing—is his role as a skilled researcher with a knack for making long, detailed chronological accounts of possibly dull topics exciting and funny. As the son of deaf parents, his presentation of deaf education is told in a spirit of outrage, largely directed at Alexander Graham Bell, but also including amusing details—for one, “All I know for sure is that my mother farts in public.” For readers who’ve been nursing a dream of attending the Burning Man festival, Kasher’s granular account may temper their enthusiasm. Similarly, his account of how he clawed his way up the slippery ladder of stand-up comedy should be required reading for any would-be comedians seeking the spotlight. At the end of the story, the author writes about his marriage (to fellow comic Natasha Leggero) and fatherhood, but here, he avoids the jokes: Hopefully, Kasher is saving the wonderworld of absurd subcultures that is parenting for his next book. The author’s history of Judaism alone is worth the price of admission.

Vivid and great fun.