by Barney Rosset ‧ RELEASE DATE: Jan. 15, 2017
Vivid and informative—a must for anyone interested in 20th-century American publishing and culture.
A posthumous memoir nicely captures the Grove Press publisher’s free-wheeling ways and rebel heart.
Presented by the Rosset estate with a memoir that had been “pruned to death,” OR Books founder John Oakes, who worked at Grove in the 1980s, went back to the archives and added material that better represented the boss he describes as “either brooding, laughing, or raging.” That charismatic man practically leaps off the pages of these salty reminiscences, which begin with a tribute by Rosset to his gamekeeper-assassinating Irish great-grandfather and the assertion, “Rebellion runs in my family’s blood.” Young Barney’s radical tendencies were evident even before he wrote a paper on Henry Miller’s then-banned novel, Tropic of Cancer, at Swarthmore College in 1940. (He got a B-minus.) Tropic of Capricorn was one of several books, most famously Lady Chatterley’s Lover, that the maverick Rosset published and defended in court to challenge outmoded obscenity statutes still on the books in the 1950s. The resulting Supreme Court decisions opened the door to a more adult American culture, and Grove Press was at the forefront of putting it into print—and on film, with I Am Curious (Yellow), a 1967 Swedish movie that in Rosset’s assessment hardly deserved its scandalous reputation but certainly provided an income that supported Grove’s more literary and less lucrative offerings. Rosset’s commitment to keep his authors’ complete works in print meant that the profits from steady sellers like Waiting for Godot often got swallowed up by the costs of publishing Samuel Beckett’s fiction, for example. The court costs of the censorship cases kept Grove’s finances shaky and ultimately led to Rosset’s ill-advised sale of the company to British magnate George Weidenfeld and American heiress Ann Getty in 1985. Characteristically, Rosset follows up an acid depiction of his subsequent ouster with a tribute to Grove’s “Other Nobelist” (after Beckett), Kenzaburo Oe; for this fiery idealist, it was always about the writers.
Vivid and informative—a must for anyone interested in 20th-century American publishing and culture.Pub Date: Jan. 15, 2017
ISBN: 978-1-68219-044-9
Page Count: 370
Publisher: OR Books
Review Posted Online: June 7, 2016
Kirkus Reviews Issue: July 1, 2016
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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