A sweeping and entertaining novel encumbered by an unwieldy plot.
An ambitious, genre-hopping, continent-spanning novel that uses the history of the trans-Atlantic slave trade as the backdrop for a magical realist adventure.
Following four characters from far-flung corners of the African diaspora, debut novelist Moore tells the story of Liberia's formation in the mid-19th century. When a Virginia slave named Charlotte dies while trying to protect a fellow slave, her death sets in motion a series of supernatural events that changes the tiny West African nation's history. Her son, June Dey, flees from the plantation and soon discovers he has superhuman strength. He boards a ship for New York only to find himself headed for Liberia. Meanwhile, a white British scholar named Callum Aragon arrives in Jamaica to study Maroon communities and forces the Maroon slave Nanni to assist him. Nanni soon saves Aragon's life with the help of a peculiar ability: She can become invisible under certain circumstances. Nanni eventually gives birth to Aragon's son, a boy named Norman who possesses abilities similar to his mother's. Across the Atlantic, in a West African village called Lai, a little girl named Gbessa is born on a day that the village elders have proclaimed cursed; as a result, she garners a reputation as a witch. The reputation isn't entirely unearned: Gbessa has abilities that allow her to return from the dead. Cast out from her village, she becomes anathema to everyone but Safua, a little boy who promises to help her. June Dey, Norman, and Gbessa eventually find themselves united in Liberia as the fledgling nation is being wracked by incursions from French slave traders and tensions between black American settlers and African natives. Their desires for freedom and family drive them into each other’s arms—and toward a major event in the history of Liberia's formation. Moore is a brisk and skilled storyteller who weaves her protagonists' disparate stories together with aplomb yet is also able to render her sprawling cast of characters in ways that feel psychologically compelling. In addition, the novel's various settings—Virginia, Jamaica, and West Africa—are depicted so lushly that readers will find themselves enchanted. Unfortunately, getting these characters' stories to intersect at the back end of the book requires a level of narrative contrivance that sends the tale careening out of myth and into the realm of clumsiness.
A sweeping and entertaining novel encumbered by an unwieldy plot.Pub Date: Sept. 11, 2018
ISBN: 978-1-55597-817-4
Page Count: 312
Publisher: Graywolf
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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