Unconvincing.
A squatter with an axe to grind throws one woman’s life into a tailspin.
Not many folks would be thrilled to come home after a four-day work retreat to find their locks changed and some creepy guy living in their house, and Kimber Hannon certainly isn't when it happens to her. The strangely familiar man calls himself Lance Wilson and claims that Kimber herself rented the house to him for six months. When she calls the police, she's horrified that they don’t kick the guy out even after she presents her driver’s license with the address on it and her neighbor, the elderly, very nosy Jenny, confirms that she lives there. So, she calls the only person she can think of who might help her: her lawyer ex-boyfriend, Gabriel, whom she did not leave on good terms. Rather improbably, the police claim that Wilson has “established residence” and they can’t kick him out unless they can prove fraud. Kimber, understandably, loses it and attacks Wilson, and during the scuffle he says “I was there. I saw what you did," so softly that only she can hear. Kimber goes to stay with friend Diana and her husband, Kyle (with whom Kimber has history), and, as her life unravels, she tries to figure out why, and how, this creeper has taken over her home. The truth leads all the way back to Kimber’s childhood and the death of her sister, Michelle, when they were kids. Kimber is no saint, but although she’s genuinely trying to be a better person, the carefully woven threads of her life are unraveling at an alarming pace. Readers may not exactly root for Kimber, but it’s hard not to sympathize with the helplessness and rage she feels at the general unfairness of her home and life being taken over by a smug, smarmy intruder. Benedict also provides a window into Kimber’s combative relationship with her sister and the tragic events leading up to Michelle’s death. Benedict is an able writer, but readers will likely guess who Kimber’s unwanted house guest is quickly, and the big reveals (there are a few) and final confrontation, orchestrated to be shocking, merely expose the frayed ends of this melodramatic tale.
Unconvincing.Pub Date: Feb. 5, 2019
ISBN: 978-0-316-44492-7
Page Count: 352
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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