An acid satire that might have been funnier in sunnier times.
After the world ends, a widowed reporter is assigned to investigate whether the internet—and, by extension, human civilization—meant anything at all.
This pitch-dark satire by Doten (The Infernal, 2015) takes all the author’s previously demonstrated predilections for skewing popular culture and dials it up to 11, at least in the horrifying prelude to everything that comes after. The opening sequence is charitably meant to be an absurd and garish caricature of the American presidency, but it might well serve as a trigger to those disgusted by the lies and disinformation that emerge from the White House daily: A diseased and rambling leader, isolated on his titular airship, drops his ridiculous tweets even as he uses the military’s “wonderful codes” to rain nuclear fire down on the world. By comparison, the rest of the novel is relatively benign despite launching with a fragment of text, alone on a page, that reads in total: “the sheriff of sucking u off is made of fire.” Rachel is a horrified survivor first, former journalist second, who takes refuge in the Twin Cities Metro Containment Zone. She only wants to find out what happened to her presumably deceased wife and daughter and so reluctantly takes an assignment from a revived New York Times Magazine to write “a piece on internet humor at the end of the world.” From here, Doten serves up an underground-flavored conspiracy thriller involving an obscure novel that inspires a true-life hacktivist group called the Aviary to take down the world that’s left. The main narrative is seeded with fragments, memes, and pop-culture narratives, but the story that emerges is horrifying. The hunt for a password to unlock what’s left of the internet takes Rachel to a sadistic cult leader who mutilates her in grotesque fashion and spends what’s left of the novel confessing his crimes. The end result is imaginatively political and experientially gross.
An acid satire that might have been funnier in sunnier times.Pub Date: Feb. 19, 2019
ISBN: 978-1-55597-828-0
Page Count: 192
Publisher: Graywolf
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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