A wild if somewhat predictable ride; slightly unwieldy but reasonably entertaining.
In the conclusion to the Pandominion duology (following Infinity Gate, 2023), two multiversal empires hurtle toward mutual annihilation.
Since neither the organic Pandominion nor the machine hegemony recognizes the other as sentient beings, negotiation is impossible: There can be only complete destruction of the other side to remove the inconvenience. The potential for reconciliation is slim indeed, lying in a small and desperate band consisting of Topaz, a young woman evolved from a rabbit; her best friend, Dulcie, a former member of the machine hegemony; Essien and Moon, two mentally unstable, renegade Pandominion soldiers; a digital copy of Hadiz Tambuwal, a dead physicist; and Rupshe, a liberated AI. Rupshe believes that they must appeal to the Mother Mass, a planet-size intelligence who may have the power to halt this looming apocalypse. Of course, the location of the Mother Mass is one of the Pandominion’s closely held secrets, and trying to uncover it will attract unwanted attention to our fugitive heroes. Cue plenty of desperate situations from which the protagonists make hairbreadth escapes; but even though literally billions of background characters die, there never seems to be much doubt that they will ultimately triumph (especially since the story is narrated from a time period after these events). But in the midst of that breakneck action, Carey wants to give the reader a lot to think about, beginning with the central Aesop: Xenophobia is bad, and we must respect sentient beings regardless of how alien they look, think, or behave. Related to that, we have the classic SF warning that it’s unwise to hand over your infrastructure to a complex machine, because it’s eventually going to become self-aware and start having opinions. There’s also something in there about the dangers of an oversize, autocratic bureaucracy filled with workers focused more on personal advancement than helping people. But if the author is offering a message about manifest destiny and environmental conservation, it’s decidedly mixed: While Carey vividly depicts polluted, devastated landscapes, the story strongly suggests that since there seems to be an infinite amount of resources, there’s always another unspoiled world to escape to whenever things get too bad.
A wild if somewhat predictable ride; slightly unwieldy but reasonably entertaining.Pub Date: June 25, 2024
ISBN: 9780316504690
Page Count: 496
Publisher: Orbit
Review Posted Online: April 19, 2024
Kirkus Reviews Issue: May 15, 2024
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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