A variety of artists rise to a unique literary and visual challenge.
A subversive volume that translates a series of complex works of literature into a single-page illustration.
Every picture tells a story, and the pictures in this book invite readers to interpret the story anew. As Mr. Fish notes in the introduction, these artists “capture the meanings and essence—perhaps even to reveal the deeper truths previously neglected by the keenest of readers—of some of the world’s most famous books.” Later, he continues, “the fact is, an image, whether snapped or rendered, does something that the written word cannot: it communicates a version of reality instantaneously, one that informs immediately without first needing to be assembled brick by syntactic brick, then cognitively deciphered and then paired with the appropriate sense memory, moral contrivance, and rote definition before its meaning and intentions can be made clear.” Some of the contributions are comics with captions—often very funny—and a few are more like a comic-strip panel. Others are wordless images that require no explanation or ones that allow readers to actively participate in the interpretive act. Some have the feel of abstract art. Regardless of the specific form, each renders a familiar classic from a fresh perspective. It’s difficult to misinterpret—or improve upon—Mr. Fish’s rendering of A Brief History of Time as the sand in an hourglass, and Ted Rall offers a sardonic modern update on The Scarlet Letter, depicting a man telling Hester Prynne, “Just wait until online slut-shaming!” Mr. Fish is particularly spot-on in his take on Catch-22: A man stands at the base of a giant wall, the shadow of the Grim Reaper washing over him and a noose hanging from the top of the wall, on which three military officials look down and say, “Quick, soldier! Stick your head in and we’ll pull you up!” Other entries include Metamorphosis, War and Peace, Nineteen Eighty-Four, and Infinite Jest.
A variety of artists rise to a unique literary and visual challenge.Pub Date: July 7, 2020
ISBN: 978-1-61775-796-9
Page Count: 144
Publisher: Akashic
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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