by Muriel Barbery ; translated by Alison Anderson ‧ RELEASE DATE: Feb. 9, 2016
Although possibly too abstract for children and too fey for some adults, this fervent, idiosyncratic fable is undeniable...
The conjoined powers of two magical children bring about a new alliance to thwart evil and unite the natural world in this fantastical novel from a bestselling French writer.
Seven years after the publication of her surprise international hit, The Elegance of the Hedgehog (2008), Barbery returns with something completely different: a fairy story of parallel but connected human and elf worlds and of dark forces and extraordinary goodness clashing in an age-old battle. Neither exactly pantheistic nor biblical, the novel expresses a spirituality rooted in art, nature, and, above all, love. Its heroines are Maria and Clara, the former born of elf parents but perfectly human in appearance, the latter half human, half elf. Their gifts, even at age 12, are prodigious. Maria’s powers are elemental and growing, Clara’s derive from music, but their abilities reach far wider and form a bulwark against the overwhelming evil led by a seductive entity named Aelius. Barbery’s rhapsodic descriptions of the Burgundy landscape and peasantry, wildlife and creativity are eclipsed by more visionary and mystical scenarios studded with lambent imagery: a red bridge, an iris, a path of stones. Intense and impassioned but also fitfully obscure, distracted by tangents, and teasingly incomplete (especially when it comes to those dark forces), the novel can both enchant and confound. There are echoes of Milton, Tolkien, and Rowling, especially in the epic attack that suddenly pits Maria, her family, and community against the unearthly powers of a "storm-clad devil." While the Elfin Council watches, Maria and Clara fight the first battle in a war that may be part historical and part ecological and which concludes, at least for the elves, on a sober yet optimistic note.
Although possibly too abstract for children and too fey for some adults, this fervent, idiosyncratic fable is undeniable evidence of a richly lyrical imagination.Pub Date: Feb. 9, 2016
ISBN: 978-1-60945-315-2
Page Count: 256
Publisher: Europa Editions
Review Posted Online: Nov. 18, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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by Muriel Barbery ; translated by Alison Anderson
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by Muriel Barbery & translated by Alison Anderson
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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