NO ORDINARY LOVE

A pop superstar on the verge of a divorce falls for a major league pitcher.

Ella Simone dropped out of college in order to pursue her dreams of becoming a working musician. She married the music producer who helped land her first record contract when she was only 20. Now it’s a decade later and she’s just filed for divorce, only to learn that the predatory terms of her prenup would leave her with almost nothing, including the rights to her own music. Her lawyer thinks they can win the legal battle but warns Ella to stay out of the social media spotlight. Soon after, Ella has a wardrobe malfunction at the Grammys while presenting an award with Dodgers pitcher Miles Westbrook. The media frenzy dissecting the event—and the palpable chemistry between Ella and Miles—seems likely to tip the court of public opinion toward her ex-husband. Ella’s team concocts a PR plan to smooth things over: Miles will star in Ella’s next music video, and she will support his foundation with a performance. The novel focuses on Ella’s struggles to find herself after her husband’s painful betrayal. She’s attracted to Miles, but he’s only in a handful of scenes in the first half of the book, most of them in the presence of other people. In lieu of making Miles a point-of-view character, Ariel incorporates flashbacks to the early days of Ella’s marriage, emails from her mother, and transcriptions of voice notes between the lovers. As a result, Ella’s past and present are completely rendered, but Miles is woefully underdeveloped. The exchange of voice notes is distancing and ineffective, showing characters who talk at rather than to each other. Even when a dramatic turn of events should put Miles and his feelings in the spotlight, he barely gets a chance to speak on his own behalf.

A poignant portrait of a woman’s divorce coupled with an unconvincing new romance.