Complex, compelling characters who defy pigeonholing override Goldberg’s tendency to map out the plot too neatly.
Picking up the current concerns about bullying and “mean girls,” Goldberg (Wickett's Remedy, 2005, etc.) follows a young woman tracking down a guilty memory from her childhood.
Celia, 32, works as a performance auditor in Chicago, where she lives with her boyfriend Huck, a teacher who is growing impatient with Celia’s unwillingness to commit. Then Celia is overcome by her suppressed memory of the disappearance of her best friend Djuna in fifth grade. Eleven-year-old Celia told authorities that Djuna got into a car with a stranger, but now Celia remembers that she lied; Djuna actually fell into a hole in the woods while they were arguing. Overcome with remorse, Celia returns to her childhood home in New York, to set things right. But her shyly loving parents, who still carry their own parental guilts, assure Celia that her despair at the time of Djuna’s disappearance was too real to be phony. Celia goes online to look for three other friends, Josie, Becky and Leanne, who were walking near the woods with Celia and Djuna that day. As Celia talks to each, she begins to realize that her memory may be confused. Becky saw the car pull away, and Josie saw Djuna get in it. Meanwhile other memories of her childhood come back in snippets, forcing Celia to acknowledge that her culpability may have to do with more than her friend’s death. Celia notes that the mercurial friendship of arguments and reconciliations she had with Djuna was more intimate and intense than even her relationship with Huck. And their friendship centered on their tyrannical domination over the three other girls, especially Leanne, who was poorer than the others and desperate for acceptance. It seems obvious that Djuna was the ringleader until Celia makes a final, painful visit to Djuna’s mother, still mourning the loss of her only child, an outsider herself before Celia befriended her.
Complex, compelling characters who defy pigeonholing override Goldberg’s tendency to map out the plot too neatly.Pub Date: Oct. 5, 2010
ISBN: 978-0-385-52721-7
Page Count: 272
Publisher: Doubleday
Review Posted Online: July 14, 2010
Kirkus Reviews Issue: Aug. 1, 2010
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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