A fine novel very much in the American vein, and a quantum leap forward for the gifted Goldberg.
The 1918 influenza pandemic is the background for this absorbing successor to Bee Season (2000).
Irish-American Lydia Kilkenny moves up from her “Southie” (i.e., South Boston) neighborhood after marrying timid medical student Henry Wickett. When Henry forsakes his studies and returns to clerical drudgery while developing a health-giving elixir (the eponymous Remedy), Lydia senses trouble—but she agrees to concoct a pleasant-tasting recipe. America enters World War I, Henry tries and fails to enlist, and dies when an “unseasonable flu” strikes Boston—having first formed a partnership with entrepreneur-distributor Quentin Driscoll (who has other plans for Wickett’s Remedy). First returning to her Southie family, Lydia watches numbly as friends and relatives die, volunteers at a local hospital, then works as an untrained nurse at Gallups Island in Boston Harbor, where doctors study the virulent influenza strain by injecting it into volunteers: inmates from nearby Deer Island Naval Prison. Goldberg’s opulent narrative traces the fulfillment of Lydia’s deepest fears, and numerous other voices chime in: those of soldiers and sailors sworn to defeat the Kaiser; ordinary citizens enduring both the war and the epidemic; the numerous dead (rendered as acutely dramatic marginal commentary); and revelations of the history of “QD Soda” (the soft drink Driscoll derived from Lydia’s recipe), its founder’s pathetic decline and his successor’s evasive criminality. Only the QD Soda passages (of which there are far too many) misfire in this rich historical re-creation whose energy and ingenuity evoke memories of E.L. Doctorow’s classic Ragtime, Steven Millhauser’s Pulitzer-winner, Martin Dressler, and Thomas McMahon’s forgotten picaresque mini-masterpiece McKay’s Bees.
A fine novel very much in the American vein, and a quantum leap forward for the gifted Goldberg.Pub Date: Sept. 20, 2005
ISBN: 0-385-51324-0
Page Count: 336
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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