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MIA AND MOLLY

THE SAME AND DIFFERENT

A colorful tale of twins who are not always identical.

A flip book introduces two Asian siblings, twin toddlers who observe ways they are similar and ways they are not.

“Look—Mia and Molly are twins. They look the same.” This half of the book goes on to highlight ways that the twins are similar, focusing on shared preferences in objects and dress. “Today Mia and Molly are wearing the same clothes and the same shoes.” Fortunately for the sisters, the illustrations reveal that there are two of everything, avoiding any source of contention. Bright contrasting colors and textures add dynamism to the illustrations along with artful placement of patterns to surround text or give a pop to objects. Conflict does arise when Mia and Molly fight over one beloved toy frog. Luckily Mommy has a solution. At this point, readers flip the book over and begin reading from the back cover to delve into the differences between the two. Some instances are fairly superficial while others reveal personality distinctions: “Mia loves to laugh at silly puppets. Molly thinks they are a little bit scary.” Despite the textual and clothing cues, readers may have a hard time tracking which twin is which, as Freeman does not differentiate them as adroitly as Grace Lin does in her similarly themed early reader, Ling & Ting: Not Exactly the Same! (2010). (This book was reviewed digitally with 8.7-by-16.6-inch double-page spreads viewed at 90.1% of actual size.)

A colorful tale of twins who are not always identical. (Picture book. 2-4)

Pub Date: Oct. 13, 2020

ISBN: 978-1-60537-571-7

Page Count: 42

Publisher: Clavis

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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LOVE YOU MORE

It’s nothing new, but it’s also clearly heartfelt.

A love song from parents to their child.

This title will seem quite similar to the many others about parents’ deep love for their children. The text is wholly composed of first-person declarations of parental love, and it’s juxtaposed with illustrations of the child with one or both parents. It’s not always clear who the “I” speaking is, and there are a few pages that instead use “we.” Most sentences begin with “I love you more” phrasing to communicate that nothing could undermine parental love: “I love you more than all the sleepless nights…and all the early, tired mornings.” The accompanying pictures depict the child as a baby with weary parents. Later spreads show the child growing up, and the phrasing shifts away from the challenges of parenting to its joys and to attempts to quantify love: “I love you more than all the blades of grass at the park…and all the soccer that we played.” Throughout, Bell’s illustrations use pastel tones and soft visual texture to depict cozy, wholesome scenes that are largely redundant of the straightforward, warm text. They feature a brown-haired family with a mother, father, and child, who all appear to be white (though the father has skin that’s a shade darker than the others’).

It’s nothing new, but it’s also clearly heartfelt. (Picture book. 2-4)

Pub Date: Aug. 14, 2018

ISBN: 978-1-4998-0652-6

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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