by Myra Cohn Livingston & illustrated by Will Hillenbrand ‧ RELEASE DATE: May 1, 2007
Livingston’s brief, through-the-months poem gets a vibrant treatment in this appealing picture book. There's one short line for each double spread, providing the accomplished Hillenbrand with plenty of possibilities for the bright, mixed-media, full-bleed pictures full of references to the work of Ezra Jack Keats. A busy girl festoons the ex-Christmas tree with treats for the birds in January, proudly shows a Valentine paper chain in February and flies a rainbow-striped box kite in March. At “Picnics are July,” she and her family sit silhouetted against a sky lit with fireworks. For “September whistles by,” a school bus’s headlights cut through the early morning fog, as the backpacking, lunchbox-clutching girl clings to a grown up’s hand. December garners three wintry double spreads plus a glimpse of Santa on the final page. A short, sweet treat for storytimes, and a nice impetus for families to discuss their own activities through the year. (Picture book/poetry. 3-6)
Pub Date: May 1, 2007
ISBN: 978-0-8234-1725-4
Page Count: 32
Publisher: Holiday House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2007
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by Myra Cohn Livingston & illustrated by Kees de Kiefte
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by Myra Cohn Livingston & photographed by Steel Stillman
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt & illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by Hope Vestergaard ; illustrated by David Slonim ‧ RELEASE DATE: Aug. 27, 2013
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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by Hope Vestergaard and illustrated by Valeria Petrone
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by Hope Vestergaard & illustrated by Carol Koeller
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by Hope Vestergaard & illustrated by Maggie Smith
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