This mesmerizing novel-in-stories traces a relationship between two women across different realities.
There is always an Allison and a Myriam. There is occasionally fame or fortune or a Woohoo’s Haunted Castle shirt. Our protagonists might not always be human or happy together, but there is always palpable desire and tension between the two and an edge of surreality to the lives they lead. In “The Meaning of Life,” the opening chapter of Lacroix’s debut novel, Allison and Myriam are an established couple who lay claim to a baby abandoned in an alleyway. The strangeness of this particular life is Coen brothers-esque: While danger is very real, everyone muscles through the peculiarity that surrounds them with confidence and humor. The immediate follow-up, “Love Bun,” illustrates how far afield Lacroix is willing to go, chronicling the women’s matter-of-fact slide into cannibalism after they discover the euphoria that comes with consuming even a tiny part of a loved one. Power dynamics shift across chapters—in one, Allison is the more stable half of their celesbian couple; in another, Myriam is Allison’s CEO boss—but no matter the scenario, Lacroix shows a gift for cutting to the heart of things: the way you inevitably open yourself up to both injury and transformation when you try to love and be loved. Some readers may wish for a stronger throughline (only “Love Bun” gets an overt response in “The Feature,” the novel’s last chapter), but for those willing to ride the wave, there are great rewards.
As kaleidoscopic as the queer experience, this is an introduction to a writer of great imagination.