Tender, heartfelt, and sympathetic.
A Muslim child learns that fresh beginnings can bring new ways to celebrate old traditions.
Reem lives in a bustling, tightknit urban neighborhood; the young narrator adores the community’s Eid traditions, including Mama’s delicious, buttery cookies. But Reem and Mama are moving away just before Eid, and the child is crushed. “Al harakah barakah, Reem. Movement is a blessing,” says Mama. Even with a bigger kitchen to bake in, Reem isn’t so sure. Sensing Reem’s melancholy, Mama suggests they make a batch of cookies together in their new home. Reem finds almost all the ingredients—but wait, where are the walnuts? The cookies won’t be the same! Mama comforts the emotionally overwhelmed Reem with her own story of moving as a child and with advice that taking old traditions somewhere new can make them even better. Reem embraces change, adapting Mama’s recipe with delectable results, and finds someone with whom to start a new tradition: spotting the crescent moon that signifies the start of Eid. Drawing from her own experiences, Dutka gently delivers a compassionate tale of resilience and introspective growth, emphasizing the adage that “home is where you make it.” Firdauzia’s digitally created illustrations, dominated by purples, blues, and greens, focus on facial expressions and body language to convey Reem’s roller coaster of emotions. Reem and Mama have light brown skin. An author’s note offers a sweet message of hope, followed by a recipe for ma’amoul, the story’s unnamed Eid cookie.
Tender, heartfelt, and sympathetic. (Picture book. 4-8)Pub Date: today
ISBN: 9781419773327
Page Count: 32
Publisher: Abrams
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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