Introduces critical themes but struggles to address them with sufficient depth and nuance.
Afghan American twins reckon with a hate crime.
Yusuf and Yalda are polar opposites: Popular, outgoing Yusuf plays in a band. Introverted, artistic Yalda socializes with two close friends. After a musician at a local competition makes an Islamophobic joke onstage targeting recent Afghan refugee arrivals, Yusuf pranks the audience. His response goes viral, and tensions in their small Virginia town boil over. When Yusuf suffers serious injuries from a mysterious fall, Yalda tries to determine who hurt him while facing her own insecurities. The inconsistent writing unfortunately distances readers from the unfolding narrative due to awkward transitions, segues that feel random, and pivotal plot points that are relayed after the fact. Yalda’s personal growth and how the community unites against hate crimes would have benefitted from greater exploration. The twins’ immediate family is nonreligious, and religious details are at times absent or presented in ways that may strike some readers as erasure. First-person narrator Yalda struggles with whether “the hyphen sometimes used in my label means a connection between two worlds or if one side is being taken away from the other and leaving me as something less than whole.” This inner battle manifests in part in her unflattering judgment of her religious aunt and her perceptions of a refugee classmate, but the light character development may instead convey a message of assimilation.
Introduces critical themes but struggles to address them with sufficient depth and nuance. (author’s note) (Fiction. 13-18)Pub Date: June 4, 2024
ISBN: 9780063060494
Page Count: 336
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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