Next book

WITH DAD, IT'S LIKE THAT

Getting it wrong’s not all bad.

When Mom’s away at the movies, Dad and daughter will play—or at least do things differently than Mom.

Bathtime is first, but Dad doesn’t do it quite right, and Clare feels free to tell him so: the water’s a little cold, and her favorite toy is at the bottom. But Dad’s way turns out to be fun, too, though a bit messy: the toy croc eats not just her toes, but her whole body. Next are pajamas and dinner, but they’re inside out, the table’s not set correctly, and the mashed potatoes are lumpy. Dad’s solution? A cupcake for dinner. “I get dessert without eating dinner?” “With me, it’s like that.” Way to make Mom out to be the bad guy, Dad. But at bedtime (in a very messy room), Dad acquiesces to Clare’s corrections and starts over reading more slowly so that Clare has time to look at the pictures. And with Dad, there are three bedtime kisses. Le Huche’s illustrations, small on the pages, portray a white pair, Clare blonde and pink-cheeked and Dad a brunet who sports quite the five-o’clock shadow. In fact, the whiskers, when combined with the father’s odd head shape, make him look like nothing more than a woodchuck when seen in profile. In addition, his facial expression can sometimes only be described as “huh?”

Getting it wrong’s not all bad. (Picture book. 4-8)

Pub Date: April 1, 2016

ISBN: 978-0-8075-8731-7

Page Count: 24

Publisher: Whitman

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

Next book

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Next book

TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

Close Quickview