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PORCUPETTE AND MOPPET

A clever lesson about situational awareness and the value of reading a book before acting.

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Poper (Randall and Randall, 2019, etc.) offers another science-based picture book about a pair of animals.

Porcupette the porcupine loves to read. But sticking his nose in a “very important book” could lead to trouble when Moppet, a fisher, starts hanging around. From Moppet’s introduction—“Pleased to eat you”—young readers will grasp the idea that this friendly-looking creature is actually out to get Porcupette. But while Moppet tries to interrupt Porcupette’s reading with his antics, the rodent continues to peruse his book, about fishers, until he gets to the most relevant information: They hunt porcupines. Luckily, Porcupette’s distraction doesn’t end badly; as it turns out, the book also explains that fishers need to hunt prickly porcupines from the front to avoid the quills, a fact Moppet had clearly never read. Though the tension of predator versus prey is present throughout this ode to reading, Moppet is so charming in his dialogue and in Young’s (Mason the Bull and the Magical Christmas Tree, 2018, etc.) pitch-perfect, anthropomorphic cartoon illustrations that readers won’t feel too frightened for Porcupette. Poper’s dialogue, interspersed with the text of Porcupette’s book, flows naturally, and despite the very factual tone of the science tidbits, the vocabulary is never too intimidating for newly independent readers. The design, which features various colored backgrounds behind pieces of text, neatly alerts the audience to who’s speaking.

A clever lesson about situational awareness and the value of reading a book before acting.

Pub Date: Nov. 1, 2019

ISBN: 978-0-9814938-3-1

Page Count: 32

Publisher: Blue Whale Press

Review Posted Online: Oct. 10, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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