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I'M SUPPOSED TO PROTECT YOU FROM ALL THIS

A MEMOIR

A fascinating, gracefully written glimpse into the complexities of family life, full of secrets, hidden wounds, and survival...

All is not as it seems. That’s a good rule in life—and especially in family histories, the subject of this elegant memoir.

The daughter of New Yorker art director Françoise Mouly and Maus creator Art Spiegelman grew up surrounded by smart people and bright talk, always with the knowledge that mom was a touch eccentric. Her account opens with an episode involving a lightning storm over a choppy ocean, a risk taken seriously, Mouly believed, “by timid women who washed their vegetables”—and that her relatives across the water in France might be a touch dottier still. That wasn’t the half of it. As Spiegelman recounts, it took a residence abroad in Paris and frequent exposure to her grandparents to understand just why it was that her mother might have wanted to put an ocean between them. Of her plastic-surgeon grandfather, her mother protested, “you don’t understand. He’s just used to touching women.” There’s more to it than all that, providing some of the book’s darker moments, which are alleviated by grand-mère’s antics, even if that sturdy elder demanded that she be called Josée, as if to magically ward off the suspicion that the decades had passed. “My grandmother was beautiful long after she was beautiful,” Spiegelman writes, getting it just right. “She carried herself and dressed herself in a way that left no question.” The oddness of mother runs to grandmother and on into the past, as Spiegelman explores decades of memory with knowing nods: “Mina slapped Josée often. Which is not to say she was an abused child, she added quickly.” In the end, readers may be left with a sense of gratitude that his or her family is comparatively normal, which is not to say that these folks are terrible—odd, sure, but muddling through, with a sometimes-rueful but empathetic descendant recalling episodes they might well want to forget.

A fascinating, gracefully written glimpse into the complexities of family life, full of secrets, hidden wounds, and survival tips.

Pub Date: Aug. 2, 2016

ISBN: 978-1-59463-192-4

Page Count: 384

Publisher: Riverhead

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: June 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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