A thoroughly entertaining rendition of one woman’s search for belonging.
A young woman inherits an apartment from a total stranger and tries to figure out how she is connected to the person who bequeathed it.
Meena Dave lost her parents in a tragic accident when she was a child. Ever since, she’s refused to get close to others, always keeping people at arm’s length. She lives as a nomad, working as a photojournalist and traveling constantly for work. She’s therefore quite puzzled when a lawyer informs her that she has inherited an apartment from a woman she’s never met. The apartment in the Back Bay area of Boston is part of a building called the Engineer’s House, which was purchased decades earlier by an Indian immigrant. Each of the building’s apartments is occupied by other descendants of Indian immigrants, and Meena wonders if she, as a woman with dark skin but unknown background, might have a familial connection to the woman who left her the apartment. After learning she can neither sell nor sublet the home for six months, Meena decides to move in while she tries to uncover the mysteries of her past. She starts building relationships with the other people in the building and also discovers notes inside the apartment that have apparently been left for her to find. The longer she stays, the more connected she feels to the building’s other residents and to her past. Told from Meena’s perspective, the book has a light feeling, but it examines deeper issues like loneliness, abandonment, and cultural expectations. Through Meena’s interactions with her new neighbors, the author explores what constitutes a family and a home. With fascinating details about photojournalism, communal apartment living, and the experiences of Indian nationals who immigrated to Boston in the early 20th century, the novel illustrates the unconventional ways in which people attach to others in unfamiliar surroundings. Although the narrative is sometimes bogged down by unnecessary details, the supporting characters, with intertwined and nuanced histories, add richness to the absorbing story.
A thoroughly entertaining rendition of one woman’s search for belonging.Pub Date: June 1, 2022
ISBN: 978-1-5420-3907-9
Page Count: -
Publisher: Lake Union Publishing
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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BOOK REVIEW
SEEN & HEARD
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