Stylistically refreshing and emotionally intense, cementing Serpell’s place among the best writers going.
A woman reckons with her brother’s loss in ways that blur reality and memory.
Serpell’s brilliant second novel—following The Old Drift (2019)—is initially narrated by Cassandra Williams, who recalls being 12 and trying to save her 7-year-old brother, Wayne, from drowning off the shore of a Delaware beach. Did Wayne die after she hauled him to the beach and then blacked out, or did he disappear? Her recollection is fuzzy, as is her entire identity. As the narrative progresses, Cassandra’s mind moves forward, as she works for the missing children foundation her mother founded, and back, as she recalls the trauma that consumed her parents and herself. But more engrossingly, her mind also moves sideways, reprocessing and rewriting the moment in various ways. (Perhaps Wayne was struck by a car instead?) The second half of the novel is dedicated to the question of Wayne’s possible survival, and the storytelling is engrossing on the plot level, featuring terrorist attacks, homelessness, identity theft, racial code-switching (Cassandra's mother is White and her father, Black), seduction—all of which Serpell is expert at capturing. But each drama she describes also speaks to the trauma Cassandra suffers, which makes the novel engrossing on a psychological level as well. It opens questions of how we define ourselves after loss, how broken families find closure, and the multiple painful emotions that spring out of the process. “I don’t want to tell you what happened. I want to tell you how it felt,” Cassandra says in the novel’s first line, and repeatedly after, and Serpell means it. Rather than telling the story straight, the elliptical narrative keeps revisiting the wounds that a tragedy won’t stop delivering. If The Old Drift was an epic effort to outdo Marquez and Rushdie, this slippery yet admirably controlled novel aspires to outdo Toni Morrison, and it earns the comparison. It’s deeply worthy of rereading and debate.
Stylistically refreshing and emotionally intense, cementing Serpell’s place among the best writers going.Pub Date: Sept. 27, 2022
ISBN: 978-0-593-44891-5
Page Count: 288
Publisher: Hogarth
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An expertly crafted page-turner with unpredictable twists, steamy romance, and magical creatures.
A princess and a gladiator join forces amidst political intrigue and bloody carnage in Robson’s fantasy novel.
For the citizens of the wealthy kingdom of Arrow, the most exciting entertainment can be found in the arena—for the gladiators from the surrounding kingdoms, it’s a relentlessly brutal series of fights to the death. The combatants hope to win enough matches to earn the royal title of “Bloodguard,” which will allow their families to immigrate to Arrow. Leith, a gladiator in his mid-20s, is a skilled fighter driven by his desperation to support his mother and two younger sisters (and by the rage built from years of killing his peers for an audience’s delectation). After killing the arrogant Lord Filip (who challenged him to an impromptu duel) and subsequently emerging victorious in a surprise melee with a group of his peers and a dragon, Leith is getting closer to becoming a Bloodguard. He attracts the attention of Princess Maeve, a 20-year-old healer. Now that her fiance, Lord Filip, is dead, she’s in dire need of a noble spouse so that she can claim the throne when she turns 21. Maeve proposes a deal: She’ll help Leith achieve the Bloodguard status in exchange for his hand in marriage. But as their relationship blossoms, problems arise when royal secrets are revealed and government corruption is exposed. Soon, they’re not just vying for a title and a crown—they’re fighting for their lives. Robson’s novel is an exciting blend of action, palace intrigue, and romance in a high fantasy setting. The story unfolds through the perspectives of Maeve and Leith, who are both compelling and well developed, with flaws, foibles, and distinctive voices. The supporting characters are equally intriguing. Readers will love the richly detailed worldbuilding and combat sequences, as well as the use of snarky, modern language (“Of course the only royal offering me help is one who’s clawing her way to the throne, not already sitting pretty on one. That tracks,” Leith gripes). The book’s thoughtful queer representation and exploration of oppression and exploitation are also noteworthy.
An expertly crafted page-turner with unpredictable twists, steamy romance, and magical creatures.Pub Date: Oct. 22, 2024
ISBN: 9781649374059
Page Count: 448
Publisher: Entangled: Red Tower Books
Review Posted Online: Sept. 3, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Review Program: Kirkus Indie
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