by Namwali Serpell ‧ RELEASE DATE: Sept. 27, 2022
Stylistically refreshing and emotionally intense, cementing Serpell’s place among the best writers going.
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National Book Critics Circle Finalist
A woman reckons with her brother’s loss in ways that blur reality and memory.
Serpell’s brilliant second novel—following The Old Drift (2019)—is initially narrated by Cassandra Williams, who recalls being 12 and trying to save her 7-year-old brother, Wayne, from drowning off the shore of a Delaware beach. Did Wayne die after she hauled him to the beach and then blacked out, or did he disappear? Her recollection is fuzzy, as is her entire identity. As the narrative progresses, Cassandra’s mind moves forward, as she works for the missing children foundation her mother founded, and back, as she recalls the trauma that consumed her parents and herself. But more engrossingly, her mind also moves sideways, reprocessing and rewriting the moment in various ways. (Perhaps Wayne was struck by a car instead?) The second half of the novel is dedicated to the question of Wayne’s possible survival, and the storytelling is engrossing on the plot level, featuring terrorist attacks, homelessness, identity theft, racial code-switching (Cassandra's mother is White and her father, Black), seduction—all of which Serpell is expert at capturing. But each drama she describes also speaks to the trauma Cassandra suffers, which makes the novel engrossing on a psychological level as well. It opens questions of how we define ourselves after loss, how broken families find closure, and the multiple painful emotions that spring out of the process. “I don’t want to tell you what happened. I want to tell you how it felt,” Cassandra says in the novel’s first line, and repeatedly after, and Serpell means it. Rather than telling the story straight, the elliptical narrative keeps revisiting the wounds that a tragedy won’t stop delivering. If The Old Drift was an epic effort to outdo Marquez and Rushdie, this slippery yet admirably controlled novel aspires to outdo Toni Morrison, and it earns the comparison. It’s deeply worthy of rereading and debate.
Stylistically refreshing and emotionally intense, cementing Serpell’s place among the best writers going.Pub Date: Sept. 27, 2022
ISBN: 978-0-593-44891-5
Page Count: 288
Publisher: Hogarth
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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SEEN & HEARD
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Rebecca Yarros ‧ RELEASE DATE: Nov. 7, 2023
Unrelenting, and not in a good way.
A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.
Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.
Unrelenting, and not in a good way.Pub Date: Nov. 7, 2023
ISBN: 9781649374172
Page Count: 640
Publisher: Red Tower
Review Posted Online: Jan. 20, 2024
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