by Nan Richardson & illustrated by Alexandra Young ‧ RELEASE DATE: April 1, 2011
This unusual presentation of a tale of class-crossed lovers recounts a true 18th-century Russian romance. Nicolas Cheremeteff, the richest man in the land, loves music more than gold. He travels the world to hear the finest performers, but it is Praskovia, a peasant girl working on his estate who captures his heart with her singing. He takes her to his palace, where he teaches her to be a lady and nurtures her singing. Crowned “The Pearl” for her luminous talent, she even sings for the Empress, Catherine the Great. Naturally, Nicolas and Praskovia fall in love and live in a simple cottage. Years go by, and Praskovia still sings like a nightingale, but she’s still a serf and unmarried. Nicolas does the unthinkable and marries her, making her a countess. Their happiness is short-lived, as Praskovia dies after giving birth. Tributes to her remain today. The dramatic story is matched with stylized, theatrical artwork. Vibrant reds, golds and blacks are backlit with broad expanses of white space that frame Praskovia. Heavy, glossy paper adds to the book’s opulence. This historical mesh of "Cinderella" and My Fair Lady is a rich nugget of history for sophisticated readers and as beautiful as a Fabergé egg. (brief author’s note) (Picture book. 7-9)
Pub Date: April 1, 2011
ISBN: 978-1-884167-24-9
Page Count: 32
Publisher: Umbrage
Review Posted Online: April 6, 2011
Kirkus Reviews Issue: March 15, 2011
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by Cheryl Harness ; illustrated by Carlo Molinari ‧ RELEASE DATE: April 1, 2013
Despite awkwardness, this is a welcome window into an important American life
Pants: Women were not supposed to wear them.
Mary Walker not only got her medical degree in 1855, but found it much easier to do her work dressed smartly in men’s trousers and tailored jacket. She was not accepted in the Union Army at first, but as an unpaid hospital volunteer, she tended the Civil War sick and wounded in Washington, D.C., and field hospitals. She was finally commissioned in late 1863, then captured and imprisoned by the Confederates. She was exchanged for a Confederate officer, and in 1866, she was given the Medal of Honor, the first and only woman to receive it. Harness tries valiantly to work this complicated story into one comprehensible for the early grades, but it makes for some difficult phrasing. Calling her, as some did, a “pesky camp follower” has very negative implications that adults, at least, will get. “Many Americans, especially in the South, firmly believed that enslaving people from Africa was a normal thing to do,” is an awkward encapsulation of the reason for the Civil War. Molinari’s images are richly colored and drawn in an old-fashioned but very compatible style and do a lot toward fleshing out the text.
Despite awkwardness, this is a welcome window into an important American life . (Picture book/biography. 7-9)Pub Date: April 1, 2013
ISBN: 978-0-8075-4990-2
Page Count: 32
Publisher: Whitman
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Kathleen Krull ; Paul Brewer ; illustrated by Stacy Innerst ‧ RELEASE DATE: May 14, 2013
Parents and (more likely) grandparents who want to introduce children to their favorite band would do better to play a song...
Many adult readers will agree wholeheartedly with the title of this heartfelt paean to the Fab Four, but unfortunately, Krull and Brewer don’t quite manage to offer enough evidence to effectively convey to children the Beatles’ unique appeal and immense contributions to pop culture.
The narrative is straightforward. From their early years in Liverpool through their first big hit, the rapturous response they received in the U.S. and their eventual decision to go their separate ways, the trajectory of the Beatles’ incredible success is clearly plotted. Quirky details suggest that serious research informs the text. Unfortunately some sweeping statements may leave young listeners wondering just why the Beatles were considered “so cool, so funny, so fab.” Innerst’s accomplished acrylic-and-ink illustrations also seem more geared toward nostalgic adults. Exaggerated features and odd perspectives abound. Visual jokes and references enrich the paintings and extend the text, as when the band appears on a roller coaster formed by a guitar case plastered with stickers, but will almost certainly go over the heads of the intended audience.
Parents and (more likely) grandparents who want to introduce children to their favorite band would do better to play a song or two on whatever device is handy—though as Brewer and Krull note, the transformative impact of the Beatles was such that kids may not even recognize the originality of their music. (Informational picture book. 7-9)Pub Date: May 14, 2013
ISBN: 978-0-547-50991-4
Page Count: 40
Publisher: Harcourt
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Kathleen Krull & Virginia Loh-Hagan ; illustrated by Aura Lewis
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by Kathleen Krull & Paul Brewer ; illustrated by Boris Kulikov
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