ACCRA NOIR

Thirteen tales of the trouble people find in the capital city of Ghana when they’re trying to make a buck.

“For them it was about the hustle,” Patrick Smith writes about the Labone Choirboys, grifters trying to get a lawyer involved in a billion-dollar scam in “The Situation.” But even those on the margins have their hustles. A kaya girl who carries shoppers’ bundles in the marketplace in Nana Ekua Brew-Hammond’s “Chop Money” tries to make a bit on the side by subletting her rented room. The shop girl in Anna Bossman’s “Instant Justice” hopes to find her way out of poverty through her relationship with an older man. Kofi Blankson Ocansey tells the tale of a woman who parlays her relationships into an assortment of consumer goods in “Fantasia in Fans and Flat Screens.” Loss of innocence is sometimes the price of economic mobility. Billie McTernan’s “The Labadi Sunshine Bar” follows a girl from the country into the sex trade. A young woman earns her keep as a drug mule in Adjoa Twum’s “Shape-Shifters.” Not all the disillusioned are young. Ayesha Harruna Attah’s 30-ish wife finds the rewards of her marriage to the septuagenarian of “Kweku’s House” not what she bargained for. A woman in her 40s discovers her longtime lover has fathered children with two other women in Anne Sackey’s “Intentional Consequences.” Some hustlers wreak havoc on others. Ernest Kwame Nkrumah Addo’s young heroine learns that her husband’s source of income must cost her something precious in “The Driver.” And the vengeful husband in editor Danquah’s “When a Man Loves a Woman” is a hustler who hustles himself.

There’s plenty of noir to go around in this all-too-sad volume about people struggling to get by.