When Steveson’s stories can match her descriptions, she’ll be terrific; this one doesn’t hit that mark. (Fiction. 8-12)
Twelve-year-old Maggie moves from Atlanta to Vermont.
Her long-estranged father left her his family farm after his unexpected death, with the stipulation that she must live there for a year. Maggie’s stepfather and mother are already divorcing, since he’s come out, and Maggie’s appearance-oriented Southern-belle mother is glad they have a fresh start, even if it’s in the country. In Vermont Maggie learns that the father she barely knew was an artist and a local hero; she’s befriended by the Parkers, a large, multiracial family headed by two moms, who were especially close to him. (Maggie and her mother are white.) Over a span of six months, Maggie learns to love Vermont and treasure memories of her father. Steveson’s writing is lucid and smooth, and Maggie and the Parkers are appealing characters, but the novel suffers from the same issue as the author’s first, Swing Sideways (2016): most of the plot elements rely on character inconsistencies and obfuscations. Vermont is well-evoked, but Georgia isn’t: the “Georgia rules” of the title seem mostly to consist of saying “Ma’am” and “Sir.” And while Maggie’s relationship with her biological father is well-drawn from a patchwork of memory and objects, her relationship with her stepfather, with whom she lived for seven years, is nonexistent, relegating him to yet another plot device.
When Steveson’s stories can match her descriptions, she’ll be terrific; this one doesn’t hit that mark. (Fiction. 8-12)Pub Date: May 2, 2017
ISBN: 978-0-06-237457-8
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
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