by Nancy Agabian ‧ RELEASE DATE: May 9, 2023
Beautifully textured writing in a compelling tale that ponders identity and belonging.
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A bisexual Armenian American writer in the midst of an identity crisis visits her homeland in this explorative novel.
“I’m about to journey to Armenia, to live for a year among people who I resemble,” writes Natalee, a feminist author based in Greenpoint, Brooklyn. Following the fall of the Soviet Union, some of Na’s friends and family had journeyed to “the closest thing we had to a homeland” and returned remarking on the “emotional power” of the experience. In 2006, curious to do the same, Na boards a plane for Yerevan, wondering what the country will think of her. She is met with the troubles experienced by many travelers, such as not being able to figure out the code to call the United States. But she is disheartened to discover that she finds it difficult to assimilate to local life, struggles with the language, and begins to feel forlorn as an outsider. She is also aware that despite a new human rights bill protecting LGBTQ+ people, it is dangerous to be openly gay in Armenia. She discovers that “queer women were invisible.” Wrestling with loneliness, Na meets Seyran, a young, rebellious bisexual leader of a punk band, who shows her around Yerevan. They connect based on the fact that they appear to accept each other’s marginal identities, and Na agrees to marry Seyran so that he can avoid conscription. They return to New York City together, where Seyran’s attitude toward Na rapidly changes and she finds herself caught in an abusive relationship.
Written imaginatively as a series of fragmented narratives, journal entries, blog posts, and meta passages, Agabian’s novel describes Na’s journey from shifting perspectives. First-person accounts reveal Na’s intimate inner monologues as she wrestles with the importance of identity: “Part of the reason I’m here is to find what was lost in me. It’s upsetting to see that the West is already here…with its destructive, homogenizing effects of globalization.” Deeply thoughtful segments of meta-writing will stop readers in their tracks by boldly challenging preconceptions of identity and sexuality using penetrating questions: “How do you explain a gay man who loves his wife and has created a life around a family?” The narrative also comes with a provocative twist, as Seyran shifts from being the oppressed to the oppressor: “The assumption was that the immigrant was the one who was weak, dependent on others. The one vulnerable to beating and rape.” In a passage focusing on Na, the author eloquently and believably captures the thought processes of an abuse victim: “I’d already said no a couple of times, and he didn’t listen to me, he never stopped…chipping away at my resolve where he found my female indoctrination, my hesitancy to say no still ingrained at this late date.” Unfortunately, Agabian does not look often enough toward the Armenian landscape to describe it in great detail—but this matters little, as her attention is elsewhere. This is a courageously fragmented approach to storytelling that depicts a valiant search for self-understanding while challenging traditional gender roles, discrimination, and homophobia. Beautifully textured writing in a compelling tale that ponders identity and belonging.Pub Date: May 9, 2023
ISBN: 9798985969238
Page Count: 348
Publisher: Nauset Press
Review Posted Online: March 20, 2023
Kirkus Reviews Issue: May 15, 2023
Review Program: Kirkus Indie
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by V.E. Schwab ‧ RELEASE DATE: June 10, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
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New York Times Bestseller
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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