by Nancy Agabian ‧ RELEASE DATE: May 9, 2023
Beautifully textured writing in a compelling tale that ponders identity and belonging.
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A bisexual Armenian American writer in the midst of an identity crisis visits her homeland in this explorative novel.
“I’m about to journey to Armenia, to live for a year among people who I resemble,” writes Natalee, a feminist author based in Greenpoint, Brooklyn. Following the fall of the Soviet Union, some of Na’s friends and family had journeyed to “the closest thing we had to a homeland” and returned remarking on the “emotional power” of the experience. In 2006, curious to do the same, Na boards a plane for Yerevan, wondering what the country will think of her. She is met with the troubles experienced by many travelers, such as not being able to figure out the code to call the United States. But she is disheartened to discover that she finds it difficult to assimilate to local life, struggles with the language, and begins to feel forlorn as an outsider. She is also aware that despite a new human rights bill protecting LGBTQ+ people, it is dangerous to be openly gay in Armenia. She discovers that “queer women were invisible.” Wrestling with loneliness, Na meets Seyran, a young, rebellious bisexual leader of a punk band, who shows her around Yerevan. They connect based on the fact that they appear to accept each other’s marginal identities, and Na agrees to marry Seyran so that he can avoid conscription. They return to New York City together, where Seyran’s attitude toward Na rapidly changes and she finds herself caught in an abusive relationship.
Written imaginatively as a series of fragmented narratives, journal entries, blog posts, and meta passages, Agabian’s novel describes Na’s journey from shifting perspectives. First-person accounts reveal Na’s intimate inner monologues as she wrestles with the importance of identity: “Part of the reason I’m here is to find what was lost in me. It’s upsetting to see that the West is already here…with its destructive, homogenizing effects of globalization.” Deeply thoughtful segments of meta-writing will stop readers in their tracks by boldly challenging preconceptions of identity and sexuality using penetrating questions: “How do you explain a gay man who loves his wife and has created a life around a family?” The narrative also comes with a provocative twist, as Seyran shifts from being the oppressed to the oppressor: “The assumption was that the immigrant was the one who was weak, dependent on others. The one vulnerable to beating and rape.” In a passage focusing on Na, the author eloquently and believably captures the thought processes of an abuse victim: “I’d already said no a couple of times, and he didn’t listen to me, he never stopped…chipping away at my resolve where he found my female indoctrination, my hesitancy to say no still ingrained at this late date.” Unfortunately, Agabian does not look often enough toward the Armenian landscape to describe it in great detail—but this matters little, as her attention is elsewhere. This is a courageously fragmented approach to storytelling that depicts a valiant search for self-understanding while challenging traditional gender roles, discrimination, and homophobia. Beautifully textured writing in a compelling tale that ponders identity and belonging.Pub Date: May 9, 2023
ISBN: 9798985969238
Page Count: 348
Publisher: Nauset Press
Review Posted Online: March 20, 2023
Kirkus Reviews Issue: May 15, 2023
Review Program: Kirkus Indie
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PERSPECTIVES
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Jennette McCurdy ‧ RELEASE DATE: Jan. 20, 2026
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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