An evocative and moving, if sometimes disjointed, collection of essays.
A debut volume of essays blends autobiography, social commentary, and life tips.
Growing up in the Mount Vernon suburbs of New York City during World War II, Russell recalls that close encounters with the conflict were “largely confined to newspapers and radio news.” Following this idyllic childhood came the tumultuous 1960s and ’70s, when the author’s personal life and career ambitions intersected with second-wave feminism, the civil rights movement, and the Vietnam War. These cross sections of national and personal transformations lay at the center of this book’s 35 essays, which combine stories from Russell’s life with historical events and social commentary. Written in an honest, intimate writing style that vacillates between funny and somber, the book discusses topics that range from marijuana and sex to dancing and international travel. While the topics are diverse, many are connected through the theme of gender, drawing on the author’s personal experiences, academic successes (culminating in a doctorate in public health), and three-decade career in cancer epidemiology. One essay, for example, considers how the “rigid genders” portrayed in movies in the ’40s and ’50s were “limiting to both men and women.” Another discusses the “deep-seated unhappiness” of Russell’s mother, which was fundamentally connected to her relationship with men and her conformity to gender norms. “Walking,” for instance, “became excruciatingly painful,” as she insisted on wearing “feminine high heels” despite chronic foot pain. Given Russell’s own academic pedigree, a handful of essays are more scholarly in nature, centered, for example, on the value of subjunctive verb forms or a detailed description of how ancient Egyptians accurately measured Earth’s circumference. The book admits that each essay “is independent of the others,” though this eclectic framework may be frustrating to readers looking for a cohesive collection. Its scattered organization notwithstanding, this volume is a well-written, often poignant work with far more hits than misses among its entries. Many of the chapters are accompanied by original art by Smith, whose surreal and often whimsical drawings are delightful additions to the author’s stories.
An evocative and moving, if sometimes disjointed, collection of essays.Pub Date: Feb. 8, 2022
ISBN: 978-1-66571-799-1
Page Count: 254
Publisher: ArchwayPublishing
Review Posted Online: Sept. 28, 2022
Kirkus Reviews Issue: Nov. 1, 2022
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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